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This book presents the following contents - In search of the Artist; Essencial Features of Caravaggio's Art; Inset - The Imitation of Nature, the Ideal, and the Hierarchy of Genres; Arrangements of Objects and Figures; Inset - Caravaggio and the Grapes of Zeuxis; Caravaggio's contribution to Genre-painting; Inset - On Deciphering the Pictures of the Rest during the Flight into Egypt; Caravaggio as Narrator - History Paintings in Rome; The Altarpieces for Rome; The Altarpieces of Caravaggio's First Stay in Naples; On the Run in Malta and Sicily; Retrospective; Chronology.
Making full use of new research and dramatic recent discoveries, Catherine Puglisi explores the life and times of Michelangelo Merisi da Caravaggio (1571-1610) and presents all of his works in color. 230 illustrations, 220 in color.
Making full use of new research and dramatic recent discoveries, Catherine Puglisi explores the life and times of Michelangelo Merisi da Caravaggio (1571-1610) and presents all of his works in color. 230 illustrations, 220 in color.
"Michelangelo Merisi da Caravaggio (1571-1610) was an Italian artist active in Rome, Naples, Malta, and Sicily. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque painting. In this volume, numerous large-sized illustrations showcase the artist's oeuvre; authoritative texts illustrate the decisive stages in the artist's life and in the development of his work, explaining their significance in the context of his time and for the following generations of artists."--
Some artists feel a strong compulsion to depict what is coarse and ugly, yet develop out of these elements both passion and power - even a kind of peculiar magnificence, which has grown out of a particular feeling or disposition. Accordingly, whilst the resulting picture may not strike a viewer as edifying, it frequently creates a very powerful and moving impression.
The young Michelangelo Merisi da Caravaggio (1571–1610) created a major stir in late-sixteenth-century Rome with the groundbreaking naturalism and highly charged emotionalism of his paintings. One might think, given the vast number of books that have been written about him, that everything that could possibly be said about the artist has been said. However, the author of this book argues, it is important to take a fresh look at the often repeated and widely accepted narratives about the artist’s life and work. Sybille Ebert-Schifferer subjects the available sources to a critical reevaluation, uncovering evidence that the efforts of Caravaggio’s contemporaries to disparage his character...
Now in paperback, an accessible and beautifully illustrated account of Caravaggio as a catalyst for modernity. Undeniably one of the greatest artists of all time, Michelangelo Merisi da Caravaggio would develop a radically new kind of psychologically expressive, realistic art and, in the sixteenth and seventeenth centuries, would lay the foundations for modern painting. His paintings defied tradition to such a degree that the meaning of his works has divided critics and viewers for centuries. In this original study, Troy Thomas examines Caravaggio’s life and art in relationship to the profound beginnings of modernity, exploring the many conventions that Caravaggio utterly dismantled with h...
"Etudie les dernières années de l'oeuvre du Caravage, soit de 1606 à 1610.
As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio?s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio?s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio?s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.