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Throughout his long life, Michelangelo Buonarroti (1475?1564) never ceased to practice drawing with pen, pencil, or chalk. In the 60 years of creative activity encompassed by this volume, the artist produced scores of sketches, drawings, and studies ? nudes, heads, figure studies, Madonnas, anatomical drawings, studies of children and animals, mythical representations, and religious works. This book reproduces 46 of his finest drawings, embodying most of his artistic themes and techniques, and executed in his characteristic media of pen and ink, and red and black chalk. The extraordinary strength, grace, and clarity of his renderings are beautifully illustrated on every page. The composition...
Part of the second tranche of Routledge Classics for the autumn This classic study of Michelangelo has been unavailable for many years Appeals on a number of levels: as a classic psychoanalytic text; as a biography of a great artist; and as a classic of art criticism
"Michelangelo (1475-1564) was one of the most influential and admired artists of the Italian Renaissance. His creativity extended from works of sculpture and paintings to architecture and poetry. Central to all of Michelangelo's artistic output were his drawings, in which his creative ideas were evolved and perfected. Illustrated chronologically through this book are outstanding examples from the British Museum, ranging from unfinished sketches to exquisitely refined studies. They give an incredible insight into the artist's thought processes as he developed such famous works as the Sistine chapel ceiling and the Last Judgement. With an essay outlining Michelangelo's life and key works, this small book is essential introduction to the drawings of this undisputed Renaissance genius."--BOOK JACKET.
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Presents a catalog to accompany an exhibition of drawings by Michelangelo.
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
You cannot stand underneath the masterwork that is the Sistine Chapel without considering the genius and painstaking work that went into its creation. Michelangelo Buonarroti never wanted to paint the Sistine Chapel, though. Appointed by the temperamental Julius II, Michelangelo believed the suspiciously large-scale project to be a plot for failure conspired by his rivals and the "Warrior Pope." After all, Michelangelo was not a painter—he was a sculptor. The noble artist reluctantly took on the daunting task that would damage his neck, back, and eyes (if you have ever strained to admire the real thing, you know). Andrew Graham-Dixon tells the story behind the famous painted ceiling over w...
This major new biography recounts the extraordinary life of one of the most creative figures in Western culture, weaving together the multiple threads of Michelangelo’s life and times with a brilliant analysis of his greatest works. The author retraces Michelangelo’s journey from Rome to Florence, explores his changing religious views and examines the complicated politics of patronage in Renaissance Italy. The psychological portrait of Michelangelo is constantly foregrounded, depicting with great conviction a tormented man, solitary and avaricious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Michelangelo’s acts of self-representation and his pivotal role in constructing his own myth are compellingly unveiled. Antonio Forcellino is one of the world’s leading authorities on Michelangelo and an expert art historian and restorer. He has been involved in the restoration of numerous masterpieces, including Michelangelo’s Moses. He combines his firsthand knowledge of Michelangelo’s work with a lively literary style to draw the reader into the very heart of Michelangelo’s genius.
Profiles the life of Italian artist and sculptor Michelangelo, well known for his marble statue of David and his painting of the ceiling of the Sistine Chapel.