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Galileo’s Telescope
Between 1608 and 1610 the canopy of the night sky was ripped open by an object created almost by accident: a cylinder with lenses at both ends. Galileo’s Telescope tells how this ingenious device evolved into a precision instrument that would transcend the limits of human vision and transform humanity’s view of its place in the cosmos.
On the Life of Galileo
The first collection and translation into English of the earliest biographical accounts of Galileo’s life This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564–1642), written by his close contemporaries. Collected and translated into English for the first time and supplemented by an introduction and incisive annotations by Stefano Gattei, these documents paint an incomparable firsthand picture of Galileo and offer rare insights into the construction of his public image and the complex intertwining of science, religion, and politics in seventeenth-century Italy. Here in its entirety is Vincenzo Viviani’s Historical Account, a...
Galileo in Context
This 2001 text explores the intellectual, cultural and social contexts that substantially shaped Galilean science.
Evening News
Eileen Reeves examines a web of connections between journalism, optics, and astronomy in early modern Europe, devoting particular attention to the ways in which a long-standing association of reportage with covert surveillance and astrological prediction was altered by the near simultaneous emergence of weekly newsheets, the invention of the Dutch telescope, and the appearance of Galileo Galilei's astronomical treatise, The Starry Messenger. Early modern news writers and consumers often understood journalistic texts in terms of recent developments in optics and astronomy, Reeves demonstrates, even as many of the first discussions of telescopic phenomena such as planetary satellites, lunar cr...
Galileo's Reading
Galileo (1564–1642) incorporated throughout his work the language of battle, the rhetoric of the epic, and the structure of romance as a means to elicit emotional responses from his readers against his opponents. By turning to the literary as a field for creating knowledge, Galileo delineated a textual space for establishing and validating the identity of the new, idealized philosopher. Galileo's Reading places Galileo in the complete intellectual and academic world in which he operated, bringing together, for example, debates over the nature of floating bodies and Ludovico Ariosto's Orlando furioso, disputes on comets and the literary criticism of Don Quixote, mathematical demonstrations of material strength and Dante's voyage through the afterlife, and the parallels of his feisty note-taking practices with popular comedy of the period.
The Trial of Galileo
In 1633, the Roman Inquisition condemned Galileo as a suspected heretic for defending Copernicus's hypothesis of the earth's motion and denying the scientific authority of Scripture. This book draws upon Maurice A. Finocchiaro's earlier works, especially The Galileo Affair: A Documentary History (1989), to provide a brief, new documentary history of Galileo's trial that is simultaneously the most user-friendly and inclusive available.
Observing the World through Images
The well-illustrated articles in Observing the World through Images offer insights into the uses of images in astronomy, mathematics, instrument-making, medicine and alchemy, highlighting shared forms as well as those peculiar to individual disciplines. Themes addressed include: the processes of image production and communication; the transformation of images through copying and adaptation for new purposes; genres and traditions of imagery in particular scientific disciplines; the mnemonic and pedagogical value of diagrams; the relationship between text and image; and the roles of diagrams as tools to think with. Contributors include: Isabelle Pantin, Jennifer Rampling, Samuel Gessner, Renee Raphael, Karin Ekholm, Hester Higton, and Katie Taylor.
Where Have All the Heavens Gone?
Twenty years before his famous trial, Galileo Galilei had spent two years carefully considering how the results of his own telescopic observations of the heavens as well as his convictions about the truth of the Copernican theory could be aligned with the Catholic Church's position on biblical interpretation and the authority of the magisterium. The product of these two years was an unpublished letter to the Grand Duchess Christina of Tuscany, the mother of his patron, Cosimo II de' Medici. Much has changed since this letter was written in 1615, but much has remained the same. This collection of articles by renowned international scholars provides the historical context of the letter as well...
The Lynx and the Telescope
The Lynx and the Telescope challenges the traditional interpretation of a programmatic convergence between the visions of Galileo and Cesi’s Academy, while offering a new interpretation of the dynamics that led to the condemnation of Galileo in 1633.
