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New Media
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New Media
Providing a comprehensive introduction to the culture, technologies, history and theories of new media, this book considers the ways in which they really are new, assesses whether a media and technological revolution is under way and formulates ways for media studies to respond to new technologies.
The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema
Examining the work of the Elizabethan playwright, Robert Greene, this book argues that Greene's plays are innovative in their use of spectacle. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects.
The Smallville Chronicles
In 2001, yet another adaptation of the Superman comic book came to television. Lasting 10 seasons, Smallville took the traditional Superman story and turned it into an American teen action drama about Clark Kent's life at high school—before he donned the famous blue tights and red cape. Instead of depicting Superman's clashes with criminals in Metropolis, the show focused on how Clark first developed his powers and learned to cope with girls, school, and teenage angst. Although largely overlooked by critics and derided by Superman fans who regarded it as too far a departure from the comic book canon, Smallville nonetheless endeared a whole new generation of viewers. The setting, style, nar...
Special Effects
Moving from an exploration of 19th century popular science and magic to Hollywood science fiction cinema of our time, Pierson examines the history, advancements and connoisseurship of special effects.
Experimental Film and Queer Materiality
Experimental Film and Queer Materiality studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández.
American Avant-garde Cinema's Philosophy of the In-between
Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this crucial question for the emergent field of film philosophy, American Avant-Garde Cinema's Philosophy of the In-Between argues that the films of the American avant-garde do in fact do philosophy and illuminates the ethical stakes of their aesthetic interventions. Author Rebecca A. Sheehan contends that American avant-garde cinema's characteristic self-reflexivity is an interrogation of the modes and stakes of our engagement with the world on and beyond the screen. The book demonstrates this with the theory of the in-between a pervasive figure that helps clarify how...
An Introduction to Cybercultures
An Introduction to Cybercultures provides an accessible guide to the major forms, practices and meanings of this rapidly-growing field. From the evolution of hardware and software to the emergence of cyberpunk film and fiction, David Bell introduces readers to the key aspects of cyberculture, including email, the internet, digital imaging technologies, computer games and digital special effects. Each chapter contains `hot links' to key articles in its companion volume, The Cybercultures Reader, suggestions for further reading, and details of relevant websites. Individual chapters examine: · Cybercultures: an introduction · Storying cyberspace · Cultural Studies in cyberspace · Community and cyberculture · Identities in cyberculture · Bodies in cyberculture · Cybersubcultures · Researching cybercultures
Feeling Film: Affect and Authenticity in Popular Cinema
Cinema has the capacity to enflame our passions, to arouse our pity, to inspire our love. Feeling Film is a book that examines the emotional encounters found in contemporary popular cinema cultures. Examining melodrama, film noir, comic book franchises, cult indie movies and romantic comedy within the context of a Jungian-informed psychology and contemporary movements in film-philosophy, this book considers the various kinds of feelings engendered by our everyday engagements with cinema. Greg Singh questions the popular idea of what cinema is, and considers what happens during the anticipation and act of watching a movie, through to the act of sharing our feelings about them, the reviewing p...
Sense of Film Narration
This book investigates the sensuous qualities of narration in the feature-length fiction film.
