Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
How Christianity Came to Britain and Ireland
The epic story of how Christianity came to the British Isles
Understanding Illuminated Manuscripts
What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
Art of the Islands
The Celtic, Pictish, Anglo-Saxon and Viking peoples who inhabited the British Isles and Ireland from late prehistory to the Norman Conquest left a rich visual heritage whose influence continues to be felt. This is the first book to present an illustrated overview of the early art of the British and Irish archipelago during one of the most formative periods in its history. It explores the interaction between its inhabitants, along with the formation of national and regional identities, through the lens of visual culture.Leading expert Michelle P. Brown explains the historical context within which key artworks of the period were made and used, ranging across works as diverse as the Book of Kel...
Manuscripts from the Anglo-Saxon Age
"The Anglo-Saxons first appeared on the historical scene as pagan pirates and mercenaries moving into the declining Roman Empire in the fifth century. By the time of the Norman Conquest in 1066, Anglo-Saxon England was one of the most sophisticated states in the medieval West, renowned for its ecclesiastical and cultural achievements. The written word was of tremendous importance in this transformation. Within a century of the introduction of Christianity and literacy, the book had become a central element of Anglo-Saxon society, and a rich vehicle for cultural and artistic expression. This new edition of Anglo-Saxon Manuscripts provides a short introduction to the art of bookmaking in the Anglo-Saxon period and illustrates in colour over 150 examples of the finest Anglo-Saxon books in the British Library and other major collections."--Pub. desc.
The World of the Luttrell Psalter
One of the most appealing & arresting of medieval manuscripts, the Luttrell psalter was commissioned in the 1320s by a wealthy Lincolnshire landowner, Sir Geoffrey Luttrell of Irnham. Painted in vibrant colour, embellished with gold & silver, the vitality & inventiveness of its decoration is almost unique.
In the Beginning
This is the companion volume to a major exhibition at the Smithsonian's Arthur M. Sackler Gallery that assembles, for the first time, seventy of the most important biblical codices in the world. this is the companion volume to a major exhibition at the Smithsonian's Arthur M. Sackler Gallery that assembles, for the first time, seventy of the most important biblical codices in the world. though the Bible has been called teh best-selling book of all time, the term itself comes from the Greek for "a collection of books." the Bible that we know today was compiled over centuries and comprises numerous components, from the books associated with Moses to the Gospels credited to the Four Evangelists...
The Lindisfarne Gospels and the Early Medieval World
Michelle Brown presenting the facsimile of the Lindisfarne Gospels at the shrine of St Cuthbert, Durham Cathedral. Cecil Brown --Book Jacket.
The Culture of Punishment
America is the most punitive nation in the world, incarcerating more than 2.3 million people—or one in 136 of its residents. Against the backdrop of this unprecedented mass imprisonment, punishment permeates everyday life, carrying with it complex cultural meanings. In The Culture of Punishment, Michelle Brown goes beyond prison gates and into the routine and popular engagements of everyday life, showing that those of us most distanced from the practice of punishment tend to be particularly harsh in our judgments. The Culture of Punishment takes readers on a tour of the sites where culture and punishment meet—television shows, movies, prison tourism, and post 9/11 new war prisons—demonstrating that because incarceration affects people along distinct race and class lines, it is only a privileged group of citizens who are removed from the experience of incarceration. These penal spectators, who often sanction the infliction of pain from a distance, risk overlooking the reasons for democratic oversight of the project of punishment and, more broadly, justifications for the prohibition of pain.
