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This book "The Singapore Plotters" is a true story it really happened, and, if anyone told me that I was gullible, and that I would fall for this destructive scam, I would not believe it. Until you have read this story you will not understand. Here is a synopsis of what the scam is about. It began with the following: My name is xxx xxxx and I work for the Bank of China in Singapore. I am the head of Internal Audit department. While we were conducting the audit system check for the last year, I came across investments accounts that have been dormant for many years. All accounts belong to the same person and the monies total about £9,000,000 -- Nine Million British Pounds. The funds have been...
Este livro tem como base de sua discussão as Diretrizes Curriculares para a formação em Serviço Social da ABEPSS de 1996. Os capítulos dialogam com os eixos norteadores das Diretrizes Curriculares que se desdobram em conteúdos curriculares e disciplinas, sendo eles: Trabalho e Questão Social; Teoria Social; Formação Social e Realidade Brasileira; Movimentos Sociais; Políticas Sociais; Relações étnico-raciais, de gênero e sexualidades; Fundamentos históricos, teóricos e metodológicos do Serviço Social; Ética Profissional; Estágio Supervisionado em Serviço Social e os desafios do tripé ensino, pesquisa e extensão na formação profissional.
Deathworlds are places on planet earth that can no longer sustain life. These are increasing rapidly. We experience remnants of Deathworlds within our Lifeworlds (for example traumatic echoes of war, genocide, oppression). Many practices and policies, directly or indirectly, are "Deathworld-Making." They undermine Lifeworlds contributing to community decline, illnesses, climate change, and species extinction. This book highlights the ways in which writing about and sharing meaningful experiences may lead to social and environmental justice practices, decreasing Deathworld-Making. Phenomenology is a method which reveals the connection between personal suffering and the suffering of the planet...
This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
"THERE"S NO MORE SELLING OUT! THERE'S JUST MONEY!" says Director Little X- ------Get paid NOW! Make 30 GRAND in 30 SECONDS by scoring music for high-profile TV COMMERCIALS! Don't just wait around for a platinum record or publishing deal. Your 30-30 CAREER awaits you! ---------