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Picturing Atrocity
This title taps into the widespread interest in, and concern about, photographs of atrocity. The book contains a broad range of atrocity photographs from throughout history and around the world, as well as essays by well-known artists and photographers.
Edward S. Curtis and the North American Indian, Incorporated
A study of the literary influence of Edward Curtis's multi-volume collections of Native American photographs.
Photography and the USA
From Ansel Adams to Carleton Watkins, Diane Arbus to Weegee, Richard Avedon to James VanDerZee, American photographers have recorded their vast, multicultural nation in images that, for more than a hundred years, have come to define the USA. In Photography and the USA, Mick Gidley explores not only the medium of photography and the efforts to capture key events and moments through photographs, but also the many ways in which the medium has played a formative role in American culture. Photography and the USA encompasses the major movements, figures and works that are crucial to understanding American photography, but also pays attention to more obscure aspects of photography’s history. Focu...
The Plains Indian Photographs of Edward S. Curtis
The traditional cultures of the Indians of the Great Plains?Lakotas, Cheyennes, Wichitas, Arikaras, Crows, Osages, Assiniboins, Comanches, Crees, and Mandans, among others?are recalled in stunning detail in this collection of photographs by Edward S. Curtis (1868?1952). Curtis is the best-known photographer of Native Americans because of his monumental work, The North American Indian (1907?1930), which consists of twenty portfolios of large photogravures and twenty volumes of text on more than eighty Indian groups in the West. He took pictures of Plains Indians for over twenty years, and his photographs reflect both prevailing attitudes about Indians and Curtis's own vision of differences am...
Representing Others
Representing Others examines a diverse range of cultural forms in which white novelists, sculptors, diarists, photographers, ethnographers, travel writers and filmmakers have depicted Native American, African, Pacific and Australian Aboriginal peoples. As they were seen by incoming whites who were themselves strangers to the land, they most often appeared incomprehensible, threatening, 'Other'. The analyses in this book go beyond simply asking questions about the 'accuracy' or otherwise of a work's representation of the culture under discussion. Although the seven authors conform to no single position and adopt a variety of critical approaches, they share a common concern. These essays all propose that if we are to use our own terms to speak of another culture, we must become aware of the problems involved in the act of representation itself. Contributions by Anthony Fothergill, Mick Gidley, Richard Maltby, Peter Quartermaine, Stephanie Smiles, Ronald Tamplin and Tim Youngs
With One Sky Above Us
Profusely illustrated text describes daily life on the Colville Indian Reservation in Washington at the turn of the century.
Mirror Writing
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Edward S. Curtis and the North American Indian Project in the Field
Housing a wealth of ethnographic information yet steeped in nostalgia and predicated upon the assumption that Native Americans were a "vanishing race," Curtis's work has been both influential and controversial, and its vision of Native Americans must still be reckoned with today."--BOOK JACKET.
Another London
In the years between 1930 and 1980, some of the best-known photographers from around the world came to London and made its streets, buildings and communities their subject. This book demonstrates the breadth and variety of the responses London has provoked from visiting photographers during the period.
