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Fried & Justified
AN UNCUT BOOK OF THE YEAR 'A wild rock 'n' roll fairground ride of the damned.' OBSERVER 'Excellent.' NEW STATESMAN 'Entertaining . . . recalls twenty heady years at the centre of the British music business.' FINANCIAL TIMES A candid frontline account of an illustrious gonzo career as an independent music publicist during the post-punk heyday of the 80s and 90s, featuring an introduction by Bill Drummond and a new foreword by Julian Cope. Mick Houghton worked with some of the greatest, most influential and downright dysfunctional cult groups of the post-punk era and beyond - Ramones, Talking Heads, The Jesus and Mary Chain, The Undertones, Felt and Sonic Youth among them. But the three acts Mick is most closely identified with are Echo & the Bunnymen, Julian Cope, and the KLF. As confidant and co-conspirator, he navigated the minefield of rivalries and contrasting fortunes which make Fried & Justified such a candid, amusing and insightful picture of an exciting and inspirational period for music.
I've Always Kept a Unicorn
I've Always Kept a Unicorn tells the story of Sandy Denny, one of the greatest British singers of her time and the first female singer-songwriter to produce a substantial and enduring body of original songs. Sandy Denny laid down the marker for folk-rock when she joined Fairport Convention in 1968, but her music went far beyond this during the seventies. After leaving Fairport she formed Fotheringay, whose influential eponymous album was released in 1970, before collaborating on a historic one-off recording with Led Zeppelin - the only other vocalist to record with Zeppelin in their entire career - and releasing four solo albums across the course of the decade. Her tragic and untimely death came in 1978. Sandy emerged from the folk scene of the sixties - a world of larger-than-life characters such as Alex Campbell, Jackson C. Frank, Anne Briggs and Australian singer Trevor Lucas, whom she married in 1973. Their story is at the core of Sandy's later life and work, and is told with the assistance of more than sixty of her friends, fellow musicians and contemporaries, one of whom, to paraphrase McCartney on Lennon, observed that she sang like an angel but was no angel.
Becoming Elektra
An account of Elektra Records in the Jac Holzman years, from 1950 to 1973, Becoming Elektra tells the story of the label's growth from a small folk label to a major hit-making concern. Jac Holzman's role in founding and running the company is central to the story, and his capacity for the lateral thinking that led to innovations such as the first-ever sampler album and a million-selling series of sound effects records is a recurring theme. Opening with the moment that Holzman discovered The Doors, the story then goes back to the '50s, when the label brought folk music to a wide audience through artists such as Jean Ritchie, Josh White, Theodore Bikel, and Bob Gibson. Moving into the '60s and '70s, the story covers artists that read like an inventory of musical innovation: Love, Judy Collins, Tim Buckley, Fred Neil, David Ackles, Phil Ochs, Bread, Queen, Mickey Newbury, The Incredible String Band, Carly Simon, The Stooges and The MC5.
Fried and Justified
A Book of the Year, Uncut We arrived in a fleet of white stretch limos at a clearing in a wood near Woking. Here the K Foundation was exhibiting a million pounds in cash, while Bill Drummond and Jimmy Cauty circled the perimeter in two orange Saracen armoured vehicles, blasting out Abba's 'Money Money Money' . . . The list of bands and artists Mick Houghton worked with in an illustrious career in the music business reads like a Who's Who of some of the greatest, most influential and downright dysfunctional cult groups of the post-punk era and beyond - Ramones, Talking Heads, The Undertones, The Jesus and Mary Chain, Felt, Sonic Youth, The Wedding Present, Spiritualized and Elastica among the...
Kipper's Rainy Day
Kipper loves the rain! Young children will love to go on a lift-the-flap adventure with Kipper and find all the animals who love the rain too and some that don't.
Pink Floyd: I Was There
Pink Floyd are one of the most commercially successful and influential rock bands of all time. They have sold more than 250 million records worldwide, including 75 million certified units in the United States, and 37.9 million albums sold in the US since 1993. This book is based on fans, friends and colleagues memories of the band from their earliest days in Cambridge through the on stage pyrotechnics of Dark Side and through to the massive stage events like The Wall. Includes new insights into the band with Syd Barrett.
Mike Mulligan and His Steam Shovel
A modern classic that no child should miss. Since it was first published in 1939, Mike Mulligan and His Steam Shovel has delighted generations of children. Mike and his trusty steam shovel, Mary Anne, dig deep canals for boats to travel through, cut mountain passes for trains, and hollow out cellars for city skyscrapers -- the very symbol of industrial America. But with progress come new machines, and soon the inseparable duo are out of work. Mike believes that Mary Anne can dig as much in a day as one hundred men can dig in a week, and the two have one last chance to prove it and save Mary Anne from the scrap heap. What happens next in the small town of Popperville is a testament to their friendship, and to old-fashioned hard work and ingenuity.
Lunch With The Wild Frontiers
Phill Savidge is widely credited as being the main instigator of the Britpop music movement that swept the UK in the mid-1990s. Savidge was co-founder and head of legendary public relations company Savage & Best, the company that represented most of the artists associated with the scene, including Suede, Pulp, The Verve, Elastica, Kula Shaker, Spiritualized, Menswear, The Auteurs, and Black Box Recorder. Savidge suggests that Britpop came about "by accident" because he refused to represent any American bands. He subsequently ended up with an extremely accessible, media-friendly roster that "lived ’round the corner" and included the most exciting press-worthy acts of the era. His unique exp...
Teenage Kicks: My Life as an Undertone
Michael Bradley joined his school friend's group in Derry, Northern Ireland in the summer of 1974. They had two guitars and no singer. Four years later the Undertones recorded 'Teenage Kicks', John Peel's favourite record, and became one of the most fondly remembered UK bands of the post punk era. Sticking to their punk rock principles, they signed terrible deals, made great records and had a wonderful time. They broke up in 1983 when they realised there was no pot of gold at the end of the rock and roll rainbow. His story is a bitter-sweet, heart-warming and occasionally droll tale of unlikely success, petty feuding and playful mischief during five years of growing up in the music industry. Wiser but not much richer, Michael became a bicycle courier in Soho after the Undertones split. "Sixty miles a day, fresh air, no responsibilities," he writes. "Sometimes I think it was the best job I ever had. It wasn't, of course."
Sandy Denny
For all the accolades, Sandy Denny (1947-1978) remains curiously elusive. Yet, with growing media interest and the reissue of her entire back catalogue on CD, the signs are that Denny's talent is burning brighter than ever. She emerged in the mid-Sixties while still a teenager, performing on the folk revival scene where she displayed her mastery of traditional singing before moving onto her own compositions and contemporary material. She was a leader of the folk-rock movement, a sound she was instrumental in creating. Whether in her solo recordings or as a member of bands such as the Strawbs, Fotheringay or - most famously - Fairport Convention, her voice speaks to us still in all its resona...
