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Born was a child of the rain forest that covered Midworld, part of the primitive society that the peaceful jungle planet had sustained for hundreds of years. He was wise in the ways of his world, and he knew well the precarious natural balance that governed all things.Then one day the aliens came. Giants. They knew nothing of the Upper or Lower Hell ? and they cared less. Born had risked his life to save them, to guide them through the myriad tangled boughs, past unseen, unsuspected dangers lurking in the underbrush. But worse than their ignorance of how to survive, the aliens had plans for Midworld, plans that could utterly destroy the globe-spanning forest that his people called home.As the days passed, Born realized his mistake. And as he had once hunted only to live, he knew now that he would be forced to live only to kill...
A man must confront a terrifying evil in this captivating horror novel that’s “as much F. Scott Fitzgerald as Dean Koontz.”* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family’s old estate—the Savoyard Plantation—and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....
“Buehlman…slips effortlessly into a different kind of literary sensibility, one that doesn’t scrimp on earthy humor and lyrical writing in the face of unspeakable horrors.”* The year is 1348. Thomas, a disgraced knight, has found an orphan of the Black Death in a Norman village. An almost unnerving picture of innocence, she tells Thomas that the plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on Heaven. But is it delirium or is it faith? She believes she has seen the angels of God. She believes the dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across an apocalyptic landscape to Avignon. There, she tells Thomas, she will fulfill her mission. There her true nature will be revealed. And there Thomas will confront an evil wrestling for the throne of Heaven, and which has poisoned his own soul. *Kirkus Reviews
The Complete Concordance is an entertaining and incredibly useful guide to Stephen King’s epic Dark Tower series by Robin Furth and features a foreword by Stephen King himself. The Dark Tower series is the backbone of Stephen King's legendary career. Eight books and more than three thousand pages make up this bestselling fantasy epic. The Complete Concordance covers books I-VII and The Wind Through the Keyhole and is the definitive encyclopedic reference book that provides readers with everything they need to navigate their way through the series. With hundreds of characters, Mid-World geography, High Speech lexicon, and extensive cross-references, this comprehensive handbook is essential for any Dark Tower fan. Includes: -A Foreword from Stephen King -Characters and Genealogies -Magical Objects and Forces -Mid-World and Our World Places -Portals and Magical Places -Mid-, End-, and Our World Maps -Timeline for the Dark Tower Series -Mid-World Dialects -Mid-World Rhymes, Songs, and Prayers -Political and Cultural References -References to Stephen King’s Own Work
What do we mean by 'art'? As a category of objects, the concept belongs to a Western cultural tradition, originally European and now increasingly global, but how useful is it for understanding other traditions? To understand art as a universal human value, we need to look at how the concept was constructed in order to reconstruct it through an understanding of the wider world. Western art values have a pervasive influence upon non-Western cultures and upon Western attitudes to them. This innovative yet accessible new text explores the ways theories of art developed as Western knowledge of the world expanded through exploration and trade, conquest, colonisation and research into other culture...
In 2012, the world lurches toward nuclear Armageddon. A mysterious evangelist gone terrorist, a man with supernatural origins, hopes to usher in a biblical apocalypse using stolen atomic warheads. Three stand against him, a seer of good and evil, her academic beau, and a disaffected FBI agent. All four may be emissaries of God, but who, in these times, does God truly favor? A supernatural urban thriller.
The 1950s and 1960s at The Walt Disney Studios marked unprecedented stylistic directions brought on by the mid-century modern and graphic sensibilities of a new wave of artists. This volume explores the contributions of these heroes with special emphasis on the art of Lee Blair, Mary Blair, Tom Oreb, John Dunn, and Walt Peregoy. It includes never-before-seen images from Cinderella, Alice in Wonderland, Peter Pan, and Sleeping Beauty and discusses Disney's first forays into television, commercials, space, and science projects—even the development of theme parks. Drawing on interviews and revealing hundreds of rediscovered images that inspired Disney's films during one of its most prolific eras, this volume captures the rich stories of the artists who brought the characters to life and helped shape the future of animation. Copyright ©2018 Disney Enterprises, Inc. All Rights Reserved
Introduction: spectatorship after abstract art -- Concrete art, and invention -- Time-objects -- Subjective instability -- The instituting subject -- Conclusion
'If I were ever to write a children's book, it would be just like this!' Stephen King Engineer Bob has a secret: his train engine, Charlie the Choo-Choo, is alive ... A children's book and future classic about friendship, loyalty and hard work. Fans of Stephen King's bestselling series will recognise Charlie, the Choo-Choo, adapted from a section of his novel The Dark Tower III: The Waste Lands. The piece of art created by Ned Dameron for book three is now the cover image for this picture book.
As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this ebook offers a window into the most inspiring work created by the best Disney artists during the studio's early golden age. They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney's largely unexamined concept artists, with six volumes spanning the decades between the 1930s and 1990s. Copyright ©2015 Disney Enterprises, Inc. All rights reserved.