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"This volume is divided into three sections, the Texts section is devoted to Straub and Huillet's published writings organized chronologically with each text numbered for ease of referencing, while the selected work documents, another distinct kind of writings of no less importance, in the Atelier section, are organized thematically. The book closes with a Portfolio of photographs with commentary by noted cinematographer Renato Berta..."--Page 8.
Essay inspired by conversations with the artist Jean-Luc Moulène addressing abstraction as a multifaceted project in the general domain of thought, and as a specific process of artistic experimentation. The fruit of numerous conversations with the artist Jean-Luc Moulène, Reza Negarestani's essay addresses abstraction as a multi-faceted project in the general domain of thought, and as a specific process of artistic experimentation. How can abstraction be so apparently ubiquitous in contemporary art, and yet so nebulously defined? "We have all heard of abstraction, but no one has ever seen one...." In Moulène's work, Negarestani discovers a renewal of the constitutive gesture of abstractio...
Objects Recognized in Flashes' is the title of a group exhibition focusing on surfaces of photographs, products, and bodies. The exhibition was developed by the curator in consultation with the artists Michele Abeles, Annette Kelm, Josephine Pryde, and Eileen Quinlan. It asks how our largely mediatized society deals with and relates analogue and digital images. How are relations between material and immateriality, body, screen and photographic surface constituted? In our contemporary consumer culture, products and questions of commodity aesthetics are becoming more and more significant. This is not without consequences for our use of photographic images. Ubiquitous advertising, marketing, and product presentation create imaginary visual standards that have now become a firm fixture of our self representations in photos on social media platforms. The works by the four artists in the exhibition respond both in respect to each other, and to this changing context.
Punch-out mask with elastic band on flyleaf; 1 folded leaf inserted in pocket attached to inside back cover.
On 13 November 2015, Paris suffered the second wave of brutal terrorist attacks in a year, leaving 130 dead and many more seriously injured. How are we to make sense of these violent acts and what do they tell us about the forces shaping our world today? In this short book the influential philosopher Alain Badiou argues that while these violent events are commonly portrayed as acts of Islamic terrorism, in fact they attest to a much deeper malaise that is connected to the triumph of global capitalism and to new forms of imperialism that involve the weakening of states, such that whole regions of the world have been turned into ungovernable zones run by armed gangs in which ordinary people ar...
Essays, conversations, selected texts, and a rich collection of thought-provoking artworks celebrate a revolution in bio art. Expertly designed by Omnivore and printed on special papers, including chlorophyll cover and crush citrus and crush cocoa pages. The texts and artworks in Symbionts provoke a necessary conversation about our species and its relation to the planet. Are we merely “mammalian weeds,” as evolutionary biologist Lynn Margulis put it? Or are we partners in producing and maintaining the biosphere, as she also suggested? Symbionts reflects on a recent revolution in bio art that departs from the late-1990s code-oriented experiments to embrace entanglement and symbiosis (“w...
All of this and nothing is the sixth in the Hammer Museum's biennial invitational exhibition series, which highlights work of Los Angeles-based artists, both established and emerging, alongside a number of international artists. All of this and nothing features more than 60 works, much of it created for the exhibition, by fourteen artists.
Self Study is a genre-bending work of autophilosophy. It opens a rare, rear window into the schizoid position of self-sufficient withdrawal and impassive indifference. This inability to be enriched by outer experiences feeds the relentless suspicion that hell is other people. Laying bare his life and work, Kishik engages with psychoanalysis, philosophy, and cultural inquiry to trace loneliness across the history of thought, leading to today’s shut-in society and the autonomous subject of liberal capitalism.
"This short book offers a dazzling new interpretation of Paul Klee's most famous work: his Angelus Novus (1920), which was purchased by Walter Benjamin and became the model for his Angel of History, a figure saturated with Jewish mysticism that he introduces in his "Theses on the Philosophy of History." In 2014 the celebrated American artist R. H. Quaytman made a surprising discovery about Klee's work when she examined it at the Jewish Museum in Israel. She realized that Klee had carefully pasted the Angelus down over another image, a face, leaving just a finger's breadth of it showing. Through forensic science and lots of sleuthing it was determined that face belonged to Martin Luther. Behind the Angel of History tells the story of how Quaytman solved the mystery of who lurks behind Klee's angel. It then plunges into questions about why a face long hidden beneath another picture might matter. The book travels through a tangle of loaded conversations among images-from Klee's Angelus to Benjamin's own drawing of a crucified angel, from Klee's Angelus to Quaytman's own layered panels meditating on its secret"--
Artists, this ebook contains tips and cover letters for you to use as guides for making your own art submissions, in any media, to art galleries, art museum curators, art consultants, art licensing agencies, interior design agencies, art magazine editors, art poster companies, book jacket publishers, potential art sponsors, multi-opportunity submissions, and more, to create opportunities and income streams to support your art practice.The purpose of this ebook is to save you time--not just on a daily basis, but to save you months and years of trial and error. The letter formats are tried and have brought results for artists. The sample letters here are based on actual letters that I wrote and used to obtain solo exhibitions, lucrative art licensing contracts, representation with top artist agencies, and representation by art consultants for lucrative Giclee print sales internationally.So why not get started using this e-book and send off submissions to art professionals on your prospect list? If you lack professional contacts,the ebook contains information for obtaining lists.Copyright Marie Kazalia 2011ebook: 87 pages