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The President tells the story of a ruthless dictator and his schemes to dispose of a political adversary in an unnamed country usually identified as Guatemala. Drawing on his experience as a journalist writing under repressive conditions, Miguel Angel Asturias provides a blazing indictment of totalitarian government and its damaging psychological effects on society - from the harvest of terror to cowardice, to sycophancy, to treachery and intrigue, and the total sacrifice of human values to lust for power. Written in a language of freedom and originality, full of extraordinary symbolism, biting satire, poetry and dream sequences, with an imagination that is both lyrical and ferocious, The President is a surrealist masterpiece and one of the most influential books of the twentieth century.
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"Miguel Angel Asturias (1899-1974), the first Spanish-American prose writer to be awarded the Nobel Prize for Literature, is both a pivotal and a representative figure in the development of the twentieth-century Spanish-American novel. Asturias's literary apprenticeship in the Paris of the 1920s and 1930s is arguably the most crucial and least understood period of his career. In forging his definitions of Guatemalan cultural identity and Spanish-American modernity from a French vantage point, Asturias made literary innovations and generated cultural paradoxes which have proved central to subsequent generations of writers. This study of Asturias's early academic writings, journalism and short fiction, and of his first major novel, ""El se""or presidente, provides a prehistory of the contemporary Spanish-American novel."
A novel whose time has come: the Nobel Prize–winning author of Mr. President’s visionary epic of ecological devastation, capitalist exploitation, and Indigenous wisdom, now available again for its 75th anniversary with a new introduction and with a foreword by Pulitzer Prize winner Héctor Tobar A Penguin Classic Deep in the mountain forests of Guatemala, a community of Indigenous Mayans—the "men of maize"—serves as stewards to sacred corn crops. When profiteering outsiders encroach on their territory and threaten to abuse the fertile land, they enter a bloody struggle to protect their way of life. Blurring the lines between history and mythology, Nobel Prize winner Miguel Ángel Ast...
Legends and plays from Guatemala. It was a groundbreaking achievement of ethnographic surrealism, a liberating avant-garde recreation of popular tales and characters from the Guatemalan collective unconscious.
Miguel Angel Asturias (1899-1974) is one of the notable literary figures in Latin America who in the 1920s contrived both to explore and define Latin literature within the mainstream of Western history. He managed to be poetic, political and mythological at the same time, and with a degree of synthesis rarely achieved then or since. As is the case with many Latin American writers, his work is inextricably linked with politics, and he lived in exile for many years. He was influenced by Indian mythology, fantasy and Surrealism and was the first Latin American novelist to understand the implications of anthropology and structural linguistics for culture and for fiction. In 1967, Asturias became...
“[A] brilliant translation . . . Electrifying vividness animates every page.” ―Claire Messud, Harper’s Magazine “A formidable new English translation.” ―The New Yorker “[A] masterful translation.” ―The Washington Post Nobel Prize–winning Guatemalan author Miguel Ángel Asturias’s masterpiece—the original Latin American dictator novel and pioneering work of magical realism—in its first new English translation in more than half a century, featuring a foreword by Nobel laureate Mario Vargas Llosa A Penguin Classic In an unnamed country, an egomaniacal dictator schemes to dispose of a political adversary and maintain his grip on power. As tyranny takes hold, everyone ...
Miguel Angel Asturias (1899-1974) is one of the notable literary figures in Latin America who in the 1920s contrived both to explore and define Latin literature within the mainstream of Western history. He managed to be poetic, political and mythological at the same time, and with a degree of synthesis rarely achieved then or since. As is the case with many Latin American writers, his work is inextricably linked with politics, and he lived in exile for many years. He was influenced by Indian mythology, fantasy and Surrealism and was the first Latin American novelist to understand the implications of anthropology and structural linguistics for culture and for fiction. In 1967, Asturias became...