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House of Eternity
Nefertari, the favorite queen of Rameses II, was buried about 3,200 years ago in the most exquisitely decorated tomb in Egypt's Valley of the Queens. Discovered in 1904 by Italian explorer Ernesto Schiaparelli, the tomb had deteriorated to a disastrous extent when emergency consolidation began in 1986. The six-year conservation project of the GCI and the Egyptian Antiquities Organization was completed in 1992. In this fascinating exploration of the tomb, John McDonald takes the reader through each chamber, describing the hieroglyphic messages depicted in the brilliant wall paintings and discussing the images within the context of Egyptian beliefs. He also offers insights into the life of Nef...
Mexico
Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art.
Landmarks of a New Generation
This manual resulted from the five “Landmarks” projects sponsored by the Getty Conservation Institute, beginning in 1993 with Picture LA, in which young people photographed and commented on landmarks in their communities. The manual provides general guidelines and step-by-step instructions for creating similar projects in communities throughout the world.
Oxygen-Free Museum Cases
One of the challenges in protecting and displaying environmentally sensitive objects is preventing deterioration caused by the presence of oxygen. This volume describes the design and construction of an oxygen-free, hermetically sealed, display and storage case developed by the Getty Conservation Institute for the long-term protection of such objects. The case was originally designed as a collaborative project between the Egyptian Antiquities Organization and the GCI to conserve the Royal Mummy Collection at the Egyptian Museum in Cairo. Seven chapters cover the protection of cultural objects from environmental deterioration by reducing exposure to oxygen and by using inert gases for biodete...
Conservation of Ancient Sites on the Silk Road
At the Mogao grottoes, a World Heritage Site near Dunhuang in the Gobi Desert, generations of Buddhist monks created hundreds of rock temples. Nearly five hundred of these grottoes remain, lined with painted clay sculptures and wall paintings that depict legends, portraits, customs, and the arts of China over a one-thousand-year period. This volume of symposium proceedings marks the culmination of the first phase of the Getty Conservation Institute’s collaborative project with the State Bureau of Culture Relics of the People’s Republic of China and the Dunhuang Academy.
The Conservation of Archaeological Sites in the Mediterranean Region
One of the greatest challenges faced today by those responsible for ancient cultural sites is that of maintaining the delicate balance between conserving these fragile resources and making them available to increasing numbers of visitors. Tourism, unchecked development, and changing environmental conditions threaten significant historical sites throughout the world. These issues are among the topics dealt with in this book, which reports on the proceedings of an international conference on the conservation of classical sites in the Mediterranean region, organized by the Getty Conservation Institute and the J. Paul Getty Museum. The book includes chapters discussing management issues at three sites: Piazza Armerina, Sicily; Knossos, Crete; and Ephesus, Turkey. While visiting these sites, conference participants examined how issues raised at these locales can illuminate the challenges of management and conservation faced by complex heritage sites the world over. Additional chapters discuss such topics as the management of cultural sites, the reconstruction of ancient buildings, and ways of presenting and interpreting sites for today's visitors.
Historical Painting Techniques, Materials, and Studio Practice
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world pro...
Cultural Heritage in Asia and the Pacific
This book contains the proceedings of a five-day symposium in September 1991, sponsored by the U.S. Information Agency, organized by US/ ICOMOS, and designed in consultation with the Getty Conservation Institute, that focused on conservation issues in Asia and the Pacific, with particular attention to policies and conditions specific to the region. Two keynote papers by international experts explore legal aspects of cultural heritage protection, and management of cultural sites. Three background papers cover the legislation of the 15 nations represented, regional professional training opportunities, and tropical environmental conditions that challenge managers of sites and collections. The discussion summary includes suggestions for enhancing conservation awareness, legislative action, and policy implementation.
New Collecting: Exhibiting and Audiences after New Media Art
The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.
Thin-Layer Chromatography for Binding Media Analysis
In the study and conservation of art and artifacts, natural organic materials are frequently encountered in components such as coatings, binders, and adhesives. The identification of these materials is often crucial to the attempt to characterize the technologies employed by artists or craftspeople, understand the processes and causes of deterioration, and plan appropriate conservation treatments. Yet the limited resources of many conservation laboratories put many analysis techniques beyond their reach. Thin-layer chromatography can help fill this gap. The volume consists of a handbook, protocols, and guide to reference materials. The handbook serves as a primer for the basic application of thin-layer chromatography to the analysis of binding media, adhesives, and coatings found on cultural objects; the protocols provide step-by-step instructions for the laboratory procedures involved in typical analyses; and the guide to reference materials aids in the understanding of the types of materials and documentation needed for accurate analyses by thin-layer chromatography.
