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This edited collection examines the development of Atlantic World architecture after 1492. In particular, the chapters explore the landscapes of extraction as material networks that brought people, space, and labor together in harvesting raw materials, cultivating agriculture for export-level profits, and circulating raw materials and commodities in Europe, Africa, and the Americas from 1500 to 1850. This book argues that histories of extraction remain incomplete without careful attention to the social, physical, and mental nexus that is architecture, just as architecture’s development in the last 500 years cannot be adequately comprehended without attention to empire, extraction, colonial...
This book takes readers on a journey through the history of water in the Coahuila desert. It starts by describing the beauty and mysteries of the landscape, and then explores the rock art of the original desert cultures in Coahuila, offering readers a glimpse of the sacred nature of water in the desert, as well as the rituals surrounding it. Moving on to the colonial times and the post- independence development of the region, it discusses early water management, and explores how water is managed in modern times, as well as the legal complications of the law, and how these faulty laws, designed for less arid regions, have affected a highly diverse wetland, the Cuatro Ciénegas oasis. The book then examines the biological consequences of the water loss for the aquatic plants and animals in Churince – a now extinct system within Cuatro Ciénegas. Further, it addresses how even bacteria can become extinct in this hyper-diverse microbial oasis. Lastly, after this despair and sense of loss, the book provides hope, offering suggestions for how we can transform the future, from a social and educational point of view as well as through good science and changes in policy.
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen Suarez also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian ...
Includes a free CD containing the full contents of the book. The rammed earth technique, in all its variants, is widespread all over the world. This enormously prevalent building technique harbours an important richness of varieties both in application and in materials used. Interventions on historical rammed earth buildings have also been carried out in all the geographical areas where these structures are found. This historical heritage has undergone diverse forms of reconstruction, conservation, repair, substitution and/or structural consolidation. The different criteria applied require different techniques, materials or forms of intervention. The results of the interventions have also been manifold, both in terms of the impact on the building and the technical and material durability. With a view to these issues, this book deals with rammed earth architecture and its restoration, and, in a more general sense, with the construction techniques and restoration of all earthen structures. Rammed Earth Conservation will be a valuable source of information for academics and professionals in the fields of Civil Engineering, Construction and Building Engineering and Architecture.
“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemer...
A global perspective on the nature and evolution of nationalism, from the early modern era to the present The current rise of nationalism across the globe is a reminder that we are not, after all, living in a borderless world of virtual connectivity. In Nationalism, historian Eric Storm sheds light on contemporary nationalist movements by exploring the global evolution of nationalism, beginning with the rise of the nation-state in the eighteenth century through the revival of nationalist ideas in the present day. Storm traces the emergence of the unitary nation-state—which brought citizenship rights to some while excluding a multitude of “others”—and the pervasive spread of nationali...
MUDÉJAR ART: Islamic Aesthetics in Christian Art reveals the fascinating exuberance of a unique cultural and artistic symbiosis that characterises Christian Spain after the Reconquista. The Mudéjars were Muslims allowed to stay in the reconquered territories. Their artists and artisans strongly influenced the culture and art of the new Christian kingdoms. In Aragon, Castille, Extremadura and Andalucía sumptuously decorated brick churches, monasteries and palaces illustrate perfectly the creative endurance of Islamic forms in Christian art between the 11th and 16th centuries in Spain. Thirteen Itineraries invite you to discover 124 museums, monuments and sites in Madrid, Guadalajara, Saragossa, Tordesillas, Toledo, Guadalupe and Seville (among others). With Index of Locations.
Adesso con indice delle località! L'Arte Mudejar: L’estetica islamica nell’arte cristiana rivela l’affascinante ricchezza di una simbiosi culturale e artistica tipicamente ispanica che diventò un elemento caratterizzante della Spagna cristiana che seguì al dominio arabo. I Mudejares erano i musulmani ai quali fu concesso di restare nei territori riconquistati e gli artisti e artigiani mudejar influenzarono massicciamente l’arte e la cultura dei nuovi regni cristiani. Le decorazioni di meravigliose chiese costruite in laterizio, monasteri e palazzi in Aragona, Castiglia, Estremadura e Andalusia forniscono un esempio unico di creativa conservazione di forme islamiche nel panorama dell’arte cristiana nella Spagna dall’XI al XVI secolo. Tredici Percorsi vi invitano a scoprire 124 musei, monumenti e siti a Madrid, Gualajara, Saragozza, Tordesillas, Toledo, Guadalupe e Siviglia (fra gli altri).
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