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Disaster Response by Ceauşescu’s Communist Regime in Romania
This book contains the first comprehensive history using extensive primary sources to trace the 1977 earthquake disaster response by the Ceauşescu communist regime, contextualizing its contribution to the public risk that remains in Romania's capital Bucharest. It traces a history of one authoritarian government’s disaster response linking its decisions and ultimate inactions to contemporary public risk. The book begins with a stand-alone chapter to introduce readers to twentieth-century Communist Romania and contextualize the Ceauşescu regime’s response. It provides insights into how Radio Free Europe filled the information vacuum, how the political police, the Securitate, worked as f...
Aspasia
Aspasia is an international peer-reviewed yearbook that brings out the best scholarship in the field of interdisciplinary women's and gender historyfocused on - and produced in - Central, Eastern, and Southeastern Europe. In this region the field of women's and gender history has developed uevenly and has remained only marginally represented in the "international" canon.
The Problem of the Actress in Modern German Theater and Thought
Reconstructs the constitutive role that German actresses played on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought. Around 1900, German and Austrian actresses had allure and status, apparent autonomy, and unconventional lifestyles. They presented a complex problem socially and aesthetically, one tied to the so-called Woman Question and to the contested status of modernity. For modernists, the actress's socioeconomic mobility and defiance of gender norms opened space to contest social and moral strictures, and her mutability offered a means to experiment with identity. For conservatives, on the other ...
Cinematically Transmitted Disease
Propaganda played an essential role in influencing the attitudes and policies of German National Socialism on racial purity and euthanasia, but little has been said on the impact of medical hygiene films. Cinematically Transmitted Disease explores these films for the first time, from their inception during the Weimar era and throughout the years to come. In this innovative volume, author Barbara Hales demonstrates how medical films as well as feature films were circulated among the German people to embed and enforce notions of scientific legitimacy for racial superiority and genetically spread “incurable” diseases, creating and maintaining an instrumental fear of degradation in the German national population.
Enchanted by Cinema
William Thiele is remembered today as the father of the sound film operetta with seminal classics such as Drei von der Tankstelle (1930). While often considered among the most accomplished directors of Late Weimar cinema, as an Austrian Jew he was vilified during the onset of the Nazi regime in 1933 and fled to the United States where he continued making films until the end of his career in 1960. Enchanted by Cinema closely examines the European musical film pioneer’s work and his cross-cultural perspective across forty years of filmography in Berlin and Hollywood to account for his popularity while discussing issues of ethnicity, exile, comedy, music, gender, and race.
Moving Images on the Margins
Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years
Celluloid Revolt
Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings. The epoch-making revolutionary period universally known in Germany as '68 can be argued to have predated that year and to have extended well into the 1970s. It continues to affect German and Austrian society and culture to this day. Yet while scholars have written extensively about 1968 and the cinema of other countries, relatively little sustained scholarly attention has thus far been paid to 1968 and West German, East German, and Austrian cinemas. Now, five decades later, Celluloid Revolt sets out to redress that situation, generating new insigh...
Film History for the Anthropocene
"From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German...
Dragul meu turnator
Cartea Dragul meu turnător este un răspuns la întrebarea „De ce arată România aşa cum arată în ultimii 23 de ani?“ O poveste despre un viol istoric, realizat prin complicitatea tuturor celor care scăpaseră de povara conştiinţei. „Mie mi se pare că nimeni dintre cei care s-au întâlnit cu imaginea lor pusă pe masa de disecţie a Securităţii n-ar trebui să tacă. Fiecare bucăţică din această experienţă satanică, oricât de măruntă ar fi ea, ar trebui adusă în conştiinţa celorlalţi, împreună cu cei care, pierzându-şi calitatea de «seamăn», au făcut-o cu putinţă.“ „«De ce arată România altfel?» nu este o întrebare deloc complicată, de fap...
The Many Faces of Weimar Cinema
Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorsh...
