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Day after day the Russian asylum-seekers sit across from the interpreter and Peter - the Swiss officers who guard the gates to paradise - and tell of the atrocities they've suffered, or that they've invented, or heard from someone else. These stories of escape, war, and violence intermingle with the interpreter's own reading: a history of an ancient Persian war; letters sent to his son Nebuchadnezzasaurus,' ruler of a distant, imaginary childhood empire; and the diaries of a Russian singer who lived through Russia's wars and revolutions.'
In this 1999 work, now available for the first time in the English language, Mikhail Shishkin displays at full force the writing talents that have won him international recognition for books like Maidenhair and The Light and the Dark. The Izmail of the title is a border fortress town, taken and lost by Russian forces numerous times in history. Here it is taken as a metaphor for the task of mastering life itself, and the scope of the task is conveyed through a masterfully interwoven panoply of scenes from different times and settings in Russia: in this tour de force of structure, style and scholarship the interaction of the scenes creates a genuine sense of the complexity of life. As Mikhail Shishkin's father says to him in the autobiographical chapter Conclusion: 'This life, Mishka, has to be taken like a fortress!' Among other things, Taking Izmail is a young writer's own brilliant storming of that fortress.
In his timely new book, Mikhail Shishkin, argues that Russia is not a 'riddle wrapped in a mystery inside an enigma': we just don't know enough about it. So what is the real story behind Putin's autocratic regime and its invasion of Ukraine? In My Russia: War or Peace? Shishkin traces the roots of Russia's problems, from the 'Kievan Rus' via the Grand Duchy of Moscow, empire, revolution and Cold War, to the now thirty-year-old Russian Federation. He explores the uneasy relationship between state and citizens, explains Russian attitudes to people's rights and democracy, and proposes that there are really two Russian peoples: the disillusioned and disaffected, who suffer from 'slave mentality', and those who embrace 'European' values and try to stand up to oppression. Both deeply personal and taking a broader historical view, My Russia is a passionate, eye-opening account of a state entangled in a complex and bloody past, as well as a love letter to a conflicted country. Will Russia continue its vicious circle of upheaval and autocracy, or will its people find a way out of history - and how can we help?
Picture two people, young and in love. Picture them being separated from one another. Picture them keeping their love alive through letters. So far, so simple. Now imagine they've not just been separated geographically, but also historically. Imagine that their love and letters now defy time and place, life and death. By now you realize that this novel is unique. And, when you learn how it has made Russian literary-prize history, and has to-date been sold in twenty-two languages, you begin to sense just how unique...
The first English-language collection of short stories by Russia's greatest contemporary author, Mikhail Shishkin, the only author to win all three of Russia's most prestigious literary awards. Often included in discussions of Nobel Prize contenders, Shishkin is a master prose writer in the breathtakingly beautiful style of the greatest Russian authors, known for complex, allusive novels about universal and emotional themes. Shishkin's stories read like modern versions of the eternal literature written by his greatest inspirations: Boris Pasternak, Ivan Bunin, Leo Tolstoy, and Mikhail Bulgakov. Shishkin's short fiction is the perfect introduction to his breathtaking oeuvre, his stories touch...
A user-friendly reference for English-language readers who are eager to explore contemporary fiction from around the world. Profiling hundreds of titles and authors from 1945 to today, with an emphasis on fiction published in the past two decades, this guide introduces the styles, trends, and genres of the world's literatures, from Scandinavian crime thrillers and cutting-edge Chinese works to Latin American narco-fiction and award-winning French novels. The book's critical selection of titles defines the arc of a country's literary development. Entries illuminate the fiction of individual nations, cultures, and peoples, while concise biographies sketch the careers of noteworthy authors. Com...
If Ryu Murakami had written War and Peace As the introduction to this book will tell you, the books by Gromov, obscure and long forgotten propaganda author of the Soviet era, have such an effect on their readers that they suddenly enjoy supernatural powers. Understandably, their readers need to keep accessing these books at all cost and gather into groups around book-bearers, or, as they're called, librarians. Alexei, until now a loser, comes to collect an uncle's inheritance and unexpectedly becomes a librarian. He tells his extraordinary, unbelievable story.
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and acces...
“Arise Ye Wretched of the Earth” provides a fresh account of the International Working Men’s Association. Founded in London in 1864, the First International gathered trade unions, associations, co-operatives, and individual workers across Europe and the Americas. The IWMA struggled for the emancipation of labour. It organised solidarity with strikers. It took sides in major events, such as the 1871 Paris Commune. It soon appeared as a threat to European powers, which vilified and prosecuted it. Although it split up in 1872, the IWMA played a ground-breaking part in the history of working-class internationalism. In our age of globalised capitalism, large labour migration, and rising nat...
In this spaghetti western, a mysterious man arrives in a corrupt town seeking revenge for his sister and upends everything.