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Contested Ground
In 1962, an innovative documentary on a Berlin Wall tunnel escape brought condemnation from both sides of the Iron Curtain during one of the most volatile periods of the Cold War. The Tunnel, produced by NBC's Reuven Frank, clocked in at ninety minutes and prompted a range of strong reactions. While the television industry ultimately awarded the program three Emmys, the U.S. Department of State pressured NBC to cancel the program, and print journalists criticized the network for what they considered to be a blatant disregard of journalistic ethics. It was not just The Tunnel's subject matter that sparked controversy, but the medium itself. The surprisingly fast ascendance of television news as the country's top choice for information threatened the self-defined supremacy of print journalism and the de facto cooperation of government officials and reporters on Cold War issues. In Contested Ground, Mike Conway argues that the production and reception of television news and documentaries during this period reveals a major upheaval in American news communications.
The Origins of Television News in America
This is the first in-depth look at the development of the television newscast, the most popular source of news for over forty-five years.During the 1940s, most journalists ignored or dismissed television, leaving the challenge to a small group of people working above New York City's Grand Central Terminal. Without the pressures of ratings, sponsors, company oversight, or many viewers, the group refused to recreate newspapers, radio, or newsreels on the new medium. They experimented, argued, tested, and eventually settled on a format to exploit television's strengths. This book documents that process, challenging common myths - including the importance of a popular anchor, and television's inability to communicate non-visual stories - and crediting those whose work was critical in the formation of television as a news format, and illustrating the pressures and professional roadblocks facing those who dare question journalistic traditions of any era. -- Publisher.
Surviving Galeras
This true, up-close account of a volcano’s eruption “artfully blends science writing and history with pure, heart-pounding action” (Mark Bowden, bestselling author of Black Hawk Down). In 1993, Stanley Williams, an eminent volcanologist, was standing on top of a Colombian volcano called Galeras when it erupted, killing six of his colleagues instantly. As Williams tried to escape the blast, he was pelted with white-hot projectiles traveling faster than bullets. Within seconds he was cut down, his skull fractured, his right leg almost severed, his backpack aflame. Williams lay helpless and near death on Galeras’s flank until two brave women—friends and fellow volcanologists—mounted...
Burnham Breaker
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Memory and Desire
From the acclaimed storyteller, a propulsive tale of desire, betrayal, duty, and infidelity—and the explosive consequences of a buried passion The newsman in Luke Blackburn shuns the spotlight when he and his old friend, now the county mayor in Key West, discover stranded Cuban refugees during a fishing outing turned tragic, but he is part of the story that goes out on the wire. When Corinne, his lover from many years ago, happens to read it and reaches out, the news she bears will disrupt his carefully orchestrated life and threatens to blow up his marriage. His wife, Maureen, lace-curtain Irish while he was from Appalachia, is a brilliant scholar who is also bipolar and fragile. Luke has...
Why I'm Not Afraid of Ghosts
Oliver Brown doesn’t believe in ghosts. Even though he lives in a house on Fear Street that’s chock full of them! Robbie should know—he’s one of the ghosts. And his new neighbor doesn’t scare easy—even though he’s tried everything he can think of to send Oliver screaming. Robbie’s got one trick left up his sleeve. And it has to work. If it doesn’t, he’ll have to give up the ghost business forever.
Assembly
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Firemen's Magazine
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