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Suicide Squad: The Silver Age
The exciting origins of the original Suicide Squad are revealed in this Silver Age comics tale SUICIDE SQUAD: THE SILVER AGE. When a large wave appears carrying an object capable of destroying anything in its path, the authorities try everything they can to stop it from making landfall. With all other options exhausted, the U.S. calls in their new team, Task Force X, led by Rick Flag! But what’s this? An island in the South Pacific inhabited entirely by giant dinosaurs? A line of brave soldiers is all that stands between civilization and their giant deadly claws. Can the Suicide Squad save humanity from these oversize monsters? Collects THE BRAVE AND THE BOLD #25-27 and #37-39 and STAR SPANGLED WAR STORIES #110-111, #116-121, #125 and #127-128.
The Best of Surfer Magazine
Since 1960, Surfer magazine has been chronicling a pastime that confounds description. Now for the first time, Surfer has collected its eclectic array of surf journalism into one volume, from dyspeptic editorials and gnarly travel pieces to great fiction and humor writing. Each piece is introduced by the editors and accompanied by the full-color cover of the Surfer issue in which the article first appeared. With the top names of surf journalism, this authoritative volume defines almost fifty years of Surfer styleand substance.
Andru and Esposito Partners for Life
Penciller Ross Andru and inker Mike Esposito were one of the most famous, prolific, and talented artistic teams to flourish during the Siver Age of comics. Whether working as publishers of their own work during the 1950s or at DC Comics on such strips as Wonder Woman, Suicide Squad, Metal Men, Flash, on numerous war strips, or on DC's flagship character, Superman, their work is fondly remembered today by fans and comic book historians. In the 1970s both artists lent their talents to Marvel's titles and continued to turn in inspiring work for DC. Andru and Esposito: Partners for Life chronicles the careers of both artists and is packed with hundreds of illustrations, most from original artwork, spanning both artists' careers. The book also contains mountains of never-before-seen unpublished material, an authoritative text by Esposito and comic book historian Dan Best, and a detailed checklist.
Horror Comics in Black and White
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Wonder Woman in the Fifties
For the first time ever, DC collects the best Wonder Woman tales from the 1950s. In this decade, the Amazon Princess fought for justice against spy rings, robots, hidden societies of evil, supernatural beings, and much more. Plus, a female reporter uncovers Diana’s greatest secrets on a trip to Paradise Island. Collects material from Wonder Woman #45, #50, #60, #66, #72, #76, #80, #90, #94-95, #98-101, #103, #105, #107, and #108; All Star Comics #56-57; and Sensation Comics #97-100.
The Gentleman Boxer
And the winner is...JOE GRIMM! He scored 24 KOs in a row and was never knocked out. He was a winner in the ring, and a winner in life. This is the story of a bantam boxer, his chaperoning older brother, and the time in which they lived. It is the 1920s, and there are boxing clubs in nearly every city in America. Joe Grimm weighs 118 pounds and is flat-footed—but he has a punch and a KO record that draw leading managers to add Joe to their stables. He trains in the same gym as Jim Braddock, the future Cinderella Man. Joe’s awesome winning streak is interrupted when he and his brother are called home. He leaves the arenas with their cheering crowds and works as a butcher in his grocery shop bought with ring money for his family. Now the character traits that made him a boxing wonder make him a success in business. The Gentleman Boxer captures the excitement and hope of an era when anything was possible and anyone could become a hero—or a champion. It is a tribute to the thousands of forgotten bantam prizefighters in the Golden Age of Boxing.
Incredible Hulk Epic Collection
Hulk takes a trip to Counter-Earth, where he confronts his most-hated enemy: Bruce Banner! Add in the Rhino and the Abomination, and the action and drama can’t be contained! Then, the Hulk heads north to Canada – where the X-Men’s Mimic returns, and the Wendigo makes its debut! And the drama continues when Betty Ross is mutated into the Harpy! Next, the green goliath sets out on a path of revenge against a murderer’s row of earth-shaking enemies – including Juggernaut, Cobalt Man and a second encounter with Rhino and Abomination! Finally, the Hulk lands in Attilan, where the Inhumans are forced to launch him into outer space to prevent the destruction of their home. But where the Hulk lands will surprise him – and a cosmic saga alongside the messianic Adam Warlock awaits!
The War That Time Forgot
On an unnamed, uncharted Pacific island, members of the U.S. Armed Forces find themselves armed only with standard issue weapons against the deadliest predators ever to roam the Earth, dinosaurs.
The Sincerest Form of Parody
The best and funniest material from the bandwagon-jumping MAD imitators, with work by Jack Davis, Will Elder, Dick Ayers, Bill Everett, Jack Kirby and many more, plus expert commentary. Casual comics readers are probably familiar with the later satirical magazines that continued to be published in the '60s and '70s, such as Cracked and Sick, but the comics collected in this volume were imitations of the MAD comic book, not the magazine, and virtually unknown among all but the most die-hard collectors. For the first time, Fantagraphics is collecting the best of these comics in an unprecedented collection!
The Great Monster Magazines
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.
