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The official art book for the new Netflix/Intrepid Pictures horror TV series Midnight Mass, from creator Mike Flanagan. A small town on an island experiences miraculous events – and frightening omens – after the arrival of a charismatic, mysterious young priest. The cast includes Kate Siegel, Henry Thomas, Zach Gilford, and Hamish Linklater. Midnight Mass: The Art of Horror is a large hardback illustrated book featuring visual and written materials covering all elements of Intrepid Pictures’ Midnight Mass limited series - debuting on Netflix in Fall 2021. This book is the perfect gift for any horror fan and will contain a slew of behind-the-scenes and background material, such as production art and set photos throughout. Readers will gain an insightful understanding of how the show was made with interviews of the cast, crew, executive producer Trevor Macy and Mike Flanagan himself. Mike Flanagan and Trevor Macy are the minds behind The Haunting of Hill House, a successful horror TV series on Netflix. Their most recent film, Doctor Sleep, was the critically-acclaimed sequel to Stephen King’s The Shining.
In a media landscape saturated with superficial horror narratives, many readers might fear this biography will be another predictable exploration of a film director's career. They may worry about encountering a dry, technical account that strips away the human essence of storytelling. The fear of yet another mundane Hollywood biography looms large, threatening to reduce a complex artist to a mere list of professional achievements.The biography confronts significant challenges in capturing the multifaceted nature of Mike Flanagan's creative journey. How does one effectively translate the nuanced psychological landscapes of his work into written form? The book must navigate the delicate balanc...
A terrifying novel of horror and salvation from the New York Times bestselling author of Bury Me Deep. Dr. Lauren Wagner is eager to take part in the first American manned expedition to Mars, but a mystery awaits the expedition. What happened to the Russians who reached Mars first? And what of the voices Lauren hears?
Written by a senior examiner for the Scottish Higher and two leading authors and examiners, this book for the Scottish Higher is a tailor-made resource that will help turn your understanding of psychology into even better examination performance.
Most compellingly, Stations is about the journey we each take along the tracks of memory where time and place intersect - the lost world of home.
Welcome to the dark corners of storytelling, where nightmares are crafted with precision and terror dances with the human soul. In this book plunge headfirst into the chilling world of one of horror's most innovative minds, whose work redefined fear for a new generation. From his haunted upbringing in Salem, Massachusetts-where ghost stories linger in the air-to the glittering, cutthroat world of Hollywood, this biography uncovers the enigmatic journey of a master filmmaker. Flanagan's passion for horror wasn't born from monsters alone, but from the fears that lurk inside us all-grief, loss, guilt, and the shadows of the past. This gripping exploration reveals how Flanagan turned his persona...
Sparked by the fateful 73-second Challenger voyage, It's About Time began as a newspaper feature chronicling key moments in history and the length of time each took to occur. This fascinating book, complete with photographs, puts scores of historical events to the clock, including the four score and seven years ago Gettysburg Address--which lasted just two minutes in 1863. It took 43 seconds for the atomic bomb to be dropped on Hiroshima. History was forever altered in less than a minute. In contrast, it took 355 years, 10 months, and five days to end African slavery in the Americas. These moments in history are among the nearly 200 recounted in this turn-back-the-clock look at time--and the...
Now a Netflix movie directed by Mike Flanagan (Oculus, Hush) and starring Carla Gugino and Bruce Greenwood. Master storyteller Stephen King presents this classic, terrifying #1 New York Times bestseller. When a game of seduction between a husband and wife ends in death, the nightmare has only begun… “And now the voice which spoke belonged to no one but herself. Oh my God, it said. Oh my God, I am all alone out here. I am all alone.” Once again, Jessie Burlingame has been talked into submitting to her husband Gerald’s kinky sex games—something that she’s frankly had enough of, and they never held much charm for her to begin with. So much for a “romantic getaway” at their secluded summer home. After Jessie is handcuffed to the bedposts—and Gerald crosses a line with his wife—the day ends with deadly consequences. Now Jessie is utterly trapped in an isolated lakeside house that has become her prison—and comes face-to-face with her deepest, darkest fears and memories. Her only company is that of the various voices filling her mind…as well as the shadows of nightfall that may conceal an imagined or very real threat right there with her…
Netflix's The Haunting of Hill House has received both critical acclaim and heaps of contempt for its reimagining of Shirley Jackson's seminal horror novel. Some found Mike Flanagan's series inventive, respectful and terrifying. Others believed it denigrated and diminished its source material, with some even calling it a "betrayal" of Jackson. Though the novel has produced a great deal of scholarship, this is the first critical collection to look at the television series. Featuring all new essays from noted scholars and award-winning horror authors, this collection goes beyond comparing the novel and the Netflix adaptation to look at the series through the lenses of gender, architecture, education, hauntology, addiction, and trauma studies including analysis of the show in the context of 9/11 and #Me Too. Specific essays compare the series with other texts, from Flanagan's other films and other adaptations of Jackson's novel, to the television series Supernatural, Toni Morrison's Beloved and the 2018 film Hereditary. Together, this collection probes a terrifying television series about how scary reality can truly be, usually because of what it says about our lives in America today.
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.