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Ant-Man/Giant-Man Masterworks Vol. 3
Collects Marvel Feature (1971) #4-10, Power Man #24-25, Black Goliath #1-5, Champions (1975) #11-13, Marvel Premiere #47-48 and material From Iron Man (1968) #44. Because you demanded it! Marvel Masterworks is proud to bring you the continuing adventures of Ant-Man and not just one Ant-Man, either! Hank Pyms MARVEL FEATURE series with the Wasp leads the way. Then comes Pyms former assistant, Bill Foster, who becomes an all-new Giant-Man under the codename Black Goliath! Bills adventures continue into CHAMPIONS, in a story featuring the power of the Infinity Gems. Next comes the debut of Scott Lang, the man who stole the mantle of Ant-Man literally! With work by Marvel icons including John Byrne, P. Craig Russell, Roy Thomas, Ross Andru, Herb Trimpe and more, this Masterworks is as big on talent as it is on adventure!
Horror Comics in Black and White
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
All New, All Different?
Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the b...
The Virtues of Captain America
Learn how Captain America's timeless ethical code is just as relevant in the twenty-first century as it was during the 1940s Captain America, or simply “Cap,” provides an example of the virtues that define personal excellence, as well as the ideals and principles upon which the United States of America was founded. In The Virtues of Captain America, philosopher and long-time comics fan Mark D. White shows us that this fictional superhero's “old-fashioned” moral code is exactly what we need today to restore kindness and respect in our personal and civic lives. Presenting Captain America's personal morality within a virtue ethics framework, the book opens with an introduction to basic ...
Caroline Munro, First Lady of Fantasy
This filmography (including television and music video appearances) chronicles the career of Caroline Munro, a woman of humble beginnings whose chance entry in a "Face of the Year" photo competition propelled her to international fame as a model and actress, and whose work in genre cinema has won her the well-earned title of "First Lady of Fantasy." It provides complete technical and cast credits for each film, a synopsis, reviews and notes, and a foreword by Caroline Munro.
The Power of Comics
Offers undergraduate students with an understanding of the comics medium and its communication potential. This book deals with comic books and graphic novels. It focuses on comic books because in their longer form they have the potential for complexity of expression.
Understanding Superhero Comic Books
This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how Batman, Wonder Woman, Captain America and many more stand as time capsules of their eras, rising and falling with societal changes, and reflecting an amalgam of influences. The book covers in detail the iconic superhero comic book creators and their unique contributions in their quest for realism, including Julius Schwartz and the science-fiction origins of superheroes; the collaborative design of the Marvel Universe by Jack Kirby, Stan Lee, and Steve Ditko; Jim Starlin’s incorporation of the death of superheroes in comic books; John Byrne and the revitalization of superheroes in the modern age; and Alan Moore’s deconstruction of superheroes.
Sequential Art: Interdisciplinary Approaches to the Graphic Novel
Mirroring the hybridity of the graphic novel, this essay collection examines sequential art from an interdisciplinary point of view, including topics like narratology, intertextuality, interculturality, and identity construction.
Son Of Satan Classic
He's got Marvel's most rotten family tree, with Satana as his sister and the Father of Lies himself as their dear old dad! So is there any saving the soul of Daimon Hellstrom, the sensational Son of Satan? The most flamboyantly dressed exorcist around will ride to the rescue of Ghost Rider and fight alongside the Thing and the Human Torch! Flaming trident at the ready, pentagram on his chest, he'll face ice demons, a fire dragon, an Egyptian god, nihilists, and folks who worship his father! Speaking of which, Daimon will face an unhappy paternal reunion and sibling rivalry with his succubus sis. They're the relatives from hell - literally! COLLECTING: GHOST RIDER (1973) 1-2, MARVEL SPOTLIGHT (1971) 12-24, MARVEL TEAM-UP (1972) 32, SON OF SATAN 1-8, MARVEL TWOIN-ONE (1974) 14.
