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Manipulating the Sacred
The first art historical study of Yoruba-descended African Brazilian religious art based on an author's long-term participation in and observation of private and public rituals. At a time when the art of the African diaspora has aroused much general interest for its multicultural dimensions, Mikelle Smith Omari-Tunkara contributes strikingly rich insights as a participant/observer in the African-based religions of Brazil. She focuses on the symbolism and function of ritual objects and costumes used in the Brazilian Candomblé (miniature "African" environments or temples) of the Bahia region, which combine Yorùbá, Bantu/Angola, Caboclo, Roman Catholic, and/or Kardecist/Spiritist elements. An initiate herself with more than twenty years of study, the author is considered an insider, and has witnessed how practitioners manipulate the "sacred" to encode, in art and ritual, vital knowledge about meaning, values, epistemologies, and history. She demonstrates how this manipulation provides Brazilian descendents of slaves with a sense of agency--with a link to their African heritage and a locus for resistance to the dominant Euro-Brazilian culture.
Relocating the Sacred
Although Brazil is home to the largest African diaspora, the religions of its African descendants have often been syncretized and submerged, first under the force of colonialism and enslavement and later under the spurious banner of a harmonious national Brazilian character. Relocating the Sacred argues that these religions nevertheless have been preserved and manifested in a strategic corpus of shifting masks and masquerades of Afro-Brazilian identity. Following the re-Africanization process and black consciousness movement of the 1970s to 1990s, Afro-Brazilians have questioned racial democracy, seeing how its claim to harmony actually dispossesses them of political power. By embracing African deities as a source of creative inspiration and resistance, Afro-Brazilians have appropriated syncretism as a means of not only popularizing African culture but also decolonizing themselves from the past shame of slavery. This book maps the role of African heritage in—and relocation of the sacred to—three sites of Brazilian cultural production: ritual altars, literature, and carnival culture.
Captive Cosmopolitans
From the bustling ports of Lisbon to the coastal inlets of the Bight of Benin to the vibrant waterways of Bahia, Black mariners were integral to every space of the commercial South Atlantic. Navigating this kaleidoscopic world required a remarkable cosmopolitanism—the chameleonlike ability to adapt to new surroundings by developing sophisticated medicinal, linguistic, and navigational knowledge. Mary E. Hicks shows how Portuguese slaving ship captains harnessed and exploited this hybridity to expand their own traffic in human bondage. At the same time, she reveals how enslaved and free Black mariners capitalized on their shipboard positions and cosmopolitan expertise to participate in smal...
Tilling Sacred Grounds
Tilling Sacred Grounds examines Black women’s interiority and negotiation of race, gender, and sexuality in religious spaces and religious practices. Phillis Isabella Sheppard argues for the importance of the exchange between interiority and public spaces, and examines religion in cyberspace, art, ritual, and street ministry. She refigures the location of religious experience by retrieving Black women’s interiority as religious space. Often excluded from Black religious studies, interiority is necessary for understanding Black women’s complex and even unconscious relationship with religion. The book weaves a thread by stressing that interiority has subjective, intersubjective, conscious, unconscious, and relational dimensions formed in historical, and social contexts.
Black Art in Brazil
Kimberly Cleveland highlights the work of five Brazilian artists from all over the country who work in a wide range of media, including photography, sculpture, and installation art. She shows how each conveys “blackness” through his or her unique visual vocabulary and points out the ways this reflects their lived experiences.
The World's Religions in Figures
Created by two of the field’s leading experts, this unique introduction to international religious demography outlines the challenges in interpreting data on religious adherence, and presents a contemporary portrait of global religious belief. Offers the first comprehensive overview of the field of international religious demography – detailing what we know about religious adherents around the world, and how we know it Examines religious freedom and diversity, including agnostics and atheists, on a global scale, highlighting trends over the past 100 years and projecting estimates for the year 2050 Outlines the issues and challenges related to definitions, taxonomies, sources, analyses, a...
Yearbook of International Religious Demography 2016
The Yearbook of International Religious Demography presents an annual snapshot of the state of religious statistics around the world. Every year large amounts of data are collected through censuses, surveys, polls, religious communities, scholars, and a host of other sources. These data are collated and analyzed by research centers and scholars around the world. Large amounts of data appear in analyzed form in the World Religion Database (Brill), aiming at a researcher’s audience. The Yearbook presents data in sets of tables and scholarly articles spanning social science, demography, history, and geography. Each issue offers findings, sources, methods, and implications surrounding international religious demography. Each year an assessment is made of new data made available since the previous issue of the yearbook. Contributors are: Todd Johnson, Gina Zurlo, Peter Crossing, Juan Cruz Esquivel, Fortunato Mallimaci, Annalisa Butticci, Brian Grim, Philip Connor, Ken Chitwood, Vegard Skirbekk, Marcin Stonawski, Rodrigo Franklin de Sousa, Davis Brown, Juan Carlos Esparza Ochoa, and Maria Concepción Servín Nieto.
Global Yorùbá
In Global Yorùbá, renowned scholar Toyin Falola covers the history, people, traditions, environment, religion, spirituality, cosmology, culture, and philosophy of one of Africa's largest cultural groups, the Yorùbá, all while considering the people's relationship with their immediate and distant neighbors. Falola examines how the Yorùbán people have adapted to their environment and tapped it to (re)invent their civilization, shape their culture and traditions, and inform their socioeconomic relations with their neighbors. These interactions have guided the Yorùbá philosophy that developed over time, expressing their conviction regarding society's evolution and the place that humans occupy within it. This web of knowledge can present a more coherent account than any other text yet produced regarding Yorùbá civilization. This volume demonstrates how global dynamics have been adopted in the creation of a Yorùbá community across different times and spaces.
Bastide on Religion
Roger Bastide developed the theory of acculturation which provides a framework for understanding contact between different cultures and beliefs. 'Bastide on Religion' offers a clear introduction to the life and work of this influential scholar. The volume focuses on Bastide's study of Afro-Brazilian religions, in particular his study of Candomble, a religion born from the contact between African and Brazilian cultures. The book outlines Bastide's work on acculturation, his concept of the relationship between religion and culture, and his challenge to many dominant approaches to economic development.
Sacred Art
Sacred art flourishes today in northeastern Brazil, where European and African religious traditions have intersected for centuries. Professional artists create images of both the Catholic saints and the African gods of Candomblé to meet the needs of a vast market of believers and art collectors. Over the past decade, Henry Glassie and Pravina Shukla conducted intense research in the states of Bahia and Pernambuco, interviewing the artists at length, photographing their processes and products, attending Catholic and Candomblé services, and finally creating a comprehensive book, governed by a deep understanding of the artists themselves. Beginning with Edival Rosas, who carves monumental baroque statues for churches, and ending with Francisco Santos, who paints images of the gods for Candomblé terreiros, the book displays the diversity of Brazilian artistic techniques and religious interpretations. Glassie and Shukla enhance their findings with comparisons from art and religion in the United States, Nigeria, Portugal, Turkey, India, Bangladesh, and Japan and gesture toward an encompassing theology of power and beauty that brings unity into the spiritual art of the world.
