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The Transformative Humanities
Distinguished scholar offers a re-assessment of the role of the humanities and advocates their constructive potential for the society and intellectual culture of the future.
A Philosophy of the Possible
In this book, Mikhail Epstein offers a systematic theory of modalities (possible, actual, necessary) and their impact on the philosophy and culture of modernity and postmodernity, focusing on the creative potentials of possibilistic thinking for the humanities.
Russian Postmodernism
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.
After the Future
Written from a non-Western point of view, this work offers a fresh perspective on the postcommunist literary scene. The four sections of the book - literature, ideology, culture and methodology - reflect the range of postmodernism in contemporary Russia.
A Philosophy of the Possible
In this book, Mikhail Epstein offers a systematic theory of modalities (the actual, possible, and necessary), as applied to the discourse of philosophy in its post-Kantian and especially post-Derridean perspectives. He relies on his own experience of living in the USSR and the US, dominated respectively by imperative and possibilist modalities. Possibilism assumes that a thing or event acquires meaning only in the context of its multiple possibilities, inviting counterfactual and conditional modes of description. The author focuses on the creative potentials of possibilistic thinking and its heuristic value. The book demonstrates the range of modal approaches to society, culture, ethics, and language, and outlines potentiology as a new philosophical discipline interacting with ontology and epistemology.
The Phoenix of Philosophy
This groundbreaking work by one of the world's foremost theoreticians of Russian literature, culture, and thought gives for the first time an extensive and detailed examination of the development of Russian thought during the late Soviet period. Countering the traditional view of an intellectual wilderness under the Soviet regime, Mikhail Epstein offers a systematic account of Russian thought in the second half of the 20th century. In doing so, he provides new insights into previously ignored areas such as Russian liberalism, personalism, structuralism, neo–rationalism, and culturology. Epstein shows how Russian philosophy and culture has long been trapped in an intellectual prison of its own making as it sought to create its own utopia. However, he demonstrates that it is time to reappraise Russian philosophical thought and cultural theory, now freed from the bonds of totalitarianism. We are left with not only a new and exciting interpretation of Russian thought, but also an opportunity to rethink our own intellectual heritage.
The Palgrave Handbook of Russian Thought
This volume is a comprehensive Handbook of Russian thought that provides an in-depth survey of major figures, currents, and developments in Russian intellectual history, spanning the period from the late eighteenth century to the late twentieth century. Written by a group of distinguished scholars as well as some younger ones from Russia, Europe, the United States, and Canada, this Handbook reconstructs a vibrant picture of the intellectual and cultural life in Russia and the Soviet Union during the most buoyant period in the country's history. Contrary to the widespread view of Russian modernity as a product of intellectual borrowing and imitation, the essays collected in this volume reveal the creative spirit of Russian thought, which produced a range of original philosophical and social ideas, as well as great literature, art, and criticism. While rejecting reductive interpretations, the Handbook employs a unifying approach to its subject matter, presenting Russian thought in the context of the country's changing historical landscape. This Handbook will open up a new intellectual world to many readers and provide a secure base for its further exploration.
The Phoenix of Philosophy
This groundbreaking work by one of the world's foremost theoreticians of Russian literature, culture, and thought gives for the first time an extensive and detailed examination of the development of Russian thought during the late Soviet period. Countering the traditional view of an intellectual wilderness under the Soviet regime, Mikhail Epstein offers a systematic account of Russian thought in the second half of the 20th century. In doing so, he provides new insights into previously ignored areas such as Russian liberalism, personalism, structuralism, neo–rationalism, and culturology. Epstein shows how Russian philosophy and culture has long been trapped in an intellectual prison of its own making as it sought to create its own utopia. However, he demonstrates that it is time to reappraise Russian philosophical thought and cultural theory, now freed from the bonds of totalitarianism. We are left with not only a new and exciting interpretation of Russian thought, but also an opportunity to rethink our own intellectual heritage.
The Occult in Russian and Soviet Culture
A comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia.
The Irony of the Ideal
Explores the most tormenting problems of Russian literature in provocative engagements with its major authors, from Pushkin, Gogol and Dostoevsky to Nabokov, Platonov and post-Soviet postmodernists. Focuses on the ironies and paradoxes that transform sublime ideals into their opposites and trigger the forces of evil and self-destruction.
