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The Transformative Humanities
Distinguished scholar offers a re-assessment of the role of the humanities and advocates their constructive potential for the society and intellectual culture of the future.
A Philosophy of the Possible
In this book, Mikhail Epstein offers a systematic theory of modalities (possible, actual, necessary) and their impact on the philosophy and culture of modernity and postmodernity, focusing on the creative potentials of possibilistic thinking for the humanities.
Russian Postmodernism
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.
After the Future
Written from a non-Western point of view, this work offers a fresh perspective on the postcommunist literary scene. The four sections of the book - literature, ideology, culture and methodology - reflect the range of postmodernism in contemporary Russia.
A Philosophy of the Possible
In this book, Mikhail Epstein offers a systematic theory of modalities (the actual, possible, and necessary), as applied to the discourse of philosophy in its post-Kantian and especially post-Derridean perspectives. He relies on his own experience of living in the USSR and the US, dominated respectively by imperative and possibilist modalities. Possibilism assumes that a thing or event acquires meaning only in the context of its multiple possibilities, inviting counterfactual and conditional modes of description. The author focuses on the creative potentials of possibilistic thinking and its heuristic value. The book demonstrates the range of modal approaches to society, culture, ethics, and language, and outlines potentiology as a new philosophical discipline interacting with ontology and epistemology.
Predictionary
Literary Nonfiction. Poetry. PREDICTIONARY is about blank spaces in language and culture and their formative role in conceptual and artistic creativity. It is a dictionary of would-be words that are designed to fill gaps in language and generate new concepts and meanings. Focused on the creative potential of a neologism and a dictionary entry, this book is dedicated to both poetry and poetics. "There is a great deal of joy in this project, and playfulness that is rarely encountered in contemporary thinkers.... One of the movtives of this project is to find a language for what our systems of meaning exclude or render unimaginable." Mary Cappello, Professor of English, University of Rhode Island"
Russian Postmodernism
Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.
The Occult in Russian and Soviet Culture
A comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia.
The Irony of the Ideal
Explores the most tormenting problems of Russian literature in provocative engagements with its major authors, from Pushkin, Gogol and Dostoevsky to Nabokov, Platonov and post-Soviet postmodernists. Focuses on the ironies and paradoxes that transform sublime ideals into their opposites and trigger the forces of evil and self-destruction.
The Landscape of Stalinism
This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the...
