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"A Family of Noblemen" is a satirical novel penned by using Mikhail Evgrafovich Saltykov, a distinguished Russian creator and satirist. The novel, serves as a scathing critique of the Russian nobility and societal norms time-honored for the duration of the nineteenth century. The narrative revolves around the Golovlyov family, an aristocratic family steeped in decadence, ethical degradation, and an insatiable desire for wealth and electricity. The relevant determine is Porfiry Golovlyov, a tyrannical and despotic landowner whose moves and decisions form the fate of the family. As the narrative unfolds, Saltykov exposes the ethical decay and hypocrisy within the aristocracy, portraying the characters as embodiments of corruption and ethical financial disaster. Saltykov's use of satire and irony is a powerful observation at the societal and political troubles of his time. Through the lens of the Golovlyov family, he criticizes the oppressive nature of the Russian autocracy, the exploitation of peasants, and the moral shortcomings of the the Aristocracy. "A Family of Noblemen" is a darkish and biting portrayal of a decaying social magnificence and the outcomes of unchecked privilege.
The award-winning translators bring us a new translation of an 1870 comic novel by Russia's greatest satirist—whose mockery of Russian autocracy is as relevant as ever. “Pevear and Volokhonsky [are the] reigning translators of Russian literature. . . . In Russia, The History of a Town is read in schools and regarded as a masterpiece of 19th-century satire. . . . [This new translation] is an argument for the book’s Swiftian wit and its relevance to Russia and the United States today.” —The New York Times A major classic in Russia since its publication, Foolsburg is the farcical chronicle of a fictional town and its hapless inhabitants as they passively endure the violence and lunacy...
Arina Petrovna rules the Golovlev family with an iron hand. Around her swarm her family; her alcoholic sons, dissipated grandchildren and degenerate husband. But in his darkened study, her son Porfiry schemes for an overthrow of power. In this powerful novel, the great Russian satirist presents a stark portrait of the Russian gentry sapped by generations of idleness and social irrelevance.
Looks at the literature of Saltykov and his satirical depiction of his own class, that of the squire, conspicuous for the social and political role it played for many years preceding the Communist Revolution, as well as its subsequent obliteration.
The satirical novelist Saltykov-Shchedrin depicts the obverse image of the cultivated, affectionate family life described by Turgenev and Tolstoy.
Embark on a literary journey through the heart of Russia with Best Russian Short Stories curated by Thomas Seltzer. From the depths of Dostoevsky to the whimsy of Chekhov, this collection captures the essence of Russian literature, offering a captivating glimpse into the soul of a nation through its storytelling prowess. This collection contains: THE QUEEN OF SPADES Aleksandr Pushkin THE CLOAK Nikolai Gogol THE DISTRICT DOCTOR Ivan Turgenev THE CHRISTMAS TREE AND THE WEDDING Fyodor Dostoyevsky GOD SEES THE TRUTH, BUT WAITS Leo Tolstoy HOW A MUZHIK FED TWO OFFICIALS M.Y. Saltykov THE SHADES, A PHANTASY Vladimir Korolenko THE SIGNAL Vsevolod Garshin THE DARLING Anton Chekhov THE BET Anton Chekhov VANKA Anton Chekhov HIDE AND SEEK Fyodor Sologub DETHRONED L.N. Potapenko THE SERVANT S.T. Semyonov ONE AUTUMN NIGHT M. Gorky HER LOVER Maxim Gorky LAZARUS Leonid Andreyev THE REVOLUTIONIST Mikhail Artzybashev THE OUTRAGE Aleksandr Kuprin
First published in the original Russian in 1880 and also known in translation as "The Golovlyov Family," this was the most famous work of Saltykov, a major 19th century Russian satirist.
Journeys to a Graveyard examines the descriptions provided by eight Russian writers of journeys made to western European countries between 1697 and 1880. The descriptions reveal the mentality and preoccupations of the Russian social and intellectual elites during this period. The travellers' perceptions of western European countries are treated here as an ambivalent response to a civilization with which Russia was belatedly coming into close contact as a result of the imperial ambition of the Russian state and the westernization of the Russian elites. The travellers perceived the most advanced European countries as superior to Russia in terms of material achievement and the maturity and refinement of their cultures, but they also promoted a view of Russia as in other respects superior to the western nations. Heavily influenced from the late eighteenth century by Romanticism and by the rise of nationalism in the west, they tended to depict European civilization as moribund. By this means they managed to define their own emergent nation in a contrastive way as having youth and promising futurity.
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