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The First Hundred Years of Mikhail Bakhtin
Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered in his lifetime. With the collapse of the Soviet system, a truer sense of Bakhtin's contribution may now be judged in the context of its origins and its contemporary Russian "reclamation." A foremost Bakhtin authority, Caryl Eme...
Dialogues on Bakhtin
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Art and Answerability
This book contains three of Bakhtin's early essays from the years following the Russian Revolution, when Bakhtin and other intellectuals eagerly participated in the debates of the period.
Bakhtin, Stalin, and Modern Russian Fiction
Bakhtin, Stalin, and Modern Russian Fiction presents an advanced introduction to the work of the Russian theorist Mikhail Bakhtin, focusing on the concepts of carnival, dialogism, and historicism. The discussion of Bakhtin pays particular attention to the impact of his historical context in the Soviet Union and to the importance of his own dialogic mode of discourse. Bakhtin's ideas are then placed in dialogic relation to the works of several important writers of modern Russian fiction, including Vassily Aksyonov, Ilf and Petrov, Mikhail Zoshchenko, Yuz Aleshkovsky, Andrei Bitov, and Sasha Sokolov.
Problems of Dostoevsky's Poetics
This book is not only a major twentieth-century contribution to Dostoevsky's studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle."Bakhtin's statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory." Edward Wasiolek"Concentrating on the particular features of 'Dostoevskian discourse, ' how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century." The Bloomsbury Review
Confession in the Novel
A heritage of conflict in author-character relations emerges through works by Dostoevsky, Mauriac, O'Connor, and DeLillo, where the issue of a character's freedom from the author's perspective proves essential to understanding narrative form.
Political Discourse in Transition in Europe, 1989-1991
The year 1989 brought political upheavals in Central, Eastern and Southern Europe, the effects of which have not yet ended. The political discourse of the Cold War period disintegrated and gave way to competing alternatives. The contributors to this book are linguists, discourse analysts and social scientists, from all corners of the continent, whose tools of analysis shed light on the crucial two years of transition during which political concepts and political interaction changed in dramatic and sometimes violent ways.
Theatre Symposium, Vol. 23
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
