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Shortlisted for the CWA Gold Dagger for Non-Fiction When the body of a missing man is discovered in the Belvedere, an apparent suicide, resident Mikita Brottman becomes obsessed with the mysterious circumstances of his death. The Belvedere used to be a hotel dating back to Baltimore’s Golden Age but is now converted into flats, and as Brottman investigates the perplexing case of the dead man, she soon becomes caught up in the strange and violent secrets of the Belvedere’s past. Her compulsions drive her to an investigation lasting over a decade. Utterly absorbing and unnerving, An Unexplained Death will lead you down the dark and winding corridors of the Belvedere and into the deadly impulses and obsessions of the human heart.
The Solitary Vice will make you rethink your own relation to reading. Brottman is wonderful at reminding us what a very complicated act - of fantasy, recompense, adventurism and (sometimes) perversity - reading a book can be....
The films discussed in this book have been labeled cinéma vomitif because they induce a visceral response in their audience. They are an underground hybrid of slasher movies, exploitation films, and shock-u-mentaries. Taking a serious look at a taboo subject, Brottman argues that these scandalous films are of far more substance than has been previously assumed. Their consistent appeal to our repressed appetites, libidinal instincts, and fascination with flesh and death has much to tell us about the human condition. Films analyzed include the voyeuristic Freaks (1932), the traumatic psychodrama The Tingler (1959), the succés de scandale The Texas Chain Saw Massacre (1976), the Italian shocker Cannibal Holocaust (1983), and two recent series of live death shock-u-mentaries, Death Scenes and Faces of Death (1989-1994). These movies, shunned from mainstream cinema because they are too offensive, obscene, marginal or bizarre, are considered here for the first time as an important part of the cinematic canon.
A riveting account of the two years literary scholar Mikita Brottman spent reading literature with criminals in a maximum-security men’s prison outside Baltimore, and what she learned from them—Orange Is the New Black meets Reading Lolita in Tehran. On sabbatical from teaching literature to undergraduates, and wanting to educate a different kind of student, Mikita Brottman starts a book club with a group of convicts from the Jessup Correctional Institution in Maryland. She assigns them ten dark, challenging classics—including Conrad’s Heart of Darkness, Shakespeare’s Macbeth, Stevenson’s Dr. Jekyll and Mr. Hyde, Poe’s story “The Black Cat,” and Nabokov’s Lolita—books th...
Please note: This is a companion version & not the original book. Sample Book Insights: #1 I could never get past the first six or seven pages of Heart of Darkness, a difficult novella published in 1899. I liked the ominous atmosphere, and I was glad to get out. #2 I wanted to be an academic like Lyndall Gordon, who had a love of literature and shaped and framed it. I was surprised and dismayed when she said she didn’t see me in that role. #3 I was not ready for Heart of Darkness when I first read it. It was a book that took me a long time to love. I thought that the men might enjoy the gruesome, disturbing parts of the story, but I never lost sight of the fact that it had taken me a long time to love it. #4 I began the book club by reading a little bit of the background information on Joseph Conrad and his journey upriver in the Congo. I then read a passage from a letter he wrote to his aunt about his health, which was far from good.
A morbidly fascinating and articulate collection of essays, this book explores the grim underside of America's cult of the automobile and the disturbing, frequently conspiratorial, speculations that arise whenever the car becomes the cause or the site of human death. Through analysis of fatal celebrity car accidents and other examples of death by automobile, as well as through personal memoir and forensic reports, cultural critics ponder our very human fascination with the car crash. Topics include the roles and experiences of passengers and bystanders, car crash conspiracy theories, the automobile as a site of murder, studies of car crash cinema, and psychological interpretations of the notion of the 'accident.' The book features original essays by such underground icons as Kenneth Anger and Adam Parfrey.
THIRTEEN GIRLS is a casebook that plumbs the annals of "true crime," delivering thirteen bracing stories of murder and its emotional fallout. Each fictionalized narrative is based on a real victim of a serial killer, and each is told from a different perspective -- a mother, a shrink, a cop, a sister -- to reveal the stark afterlife of human carnage. Leveraging the emotional power of personal testimony, Mikita Brottman presents an unblinking psychological portrait of murder, a dark descent that illuminates our cultural obsession with violence and the need for "closure" that persists in the hearts and minds of those who live in its wake. - from back cover.
Hyenas are almost universally regarded as nasty, scheming charlatans that skulk in the back alleyways of the animal kingdom. They have been scorned for centuries as little more than scavenging carrion-eaters, vandals, and thieves. Here to restore the Hyena’s reputation is Mikita Brottman, who offers an alternate view of these mistreated and misunderstood creatures and proves that they are complex, intelligent, and highly sociable animals. Investigating representations of the hyena throughout history, Brottman divulges that the hyena, though shrouded in taboo, has been the source of talismanic objects since the ancient Greek and Roman empires. She discovers that many cultures use parts of t...
A unique addition to the scant literature which,examines those films that have in one way or,another been associated with death. Starting with,the earliest Hollywood suicides and jinxed moviesto the death cult of James Dean, to links with,Charles Manson, Satanic churches, snuff culture,and mass murders, plus the mysterious death of,Bruce Lee, and the equally strange demise of his,son Brandon, HOLLYWOOD HEX discloses the dark,enigmatic connections between cinematic narratives,and human catastrophe, forming a psuchogeographic,study of this fascinating Dream factory.
The best-selling study of cannibals in both real,life and cinema, with illustrated reports on,cannibal killers Ed Gein, Albert Fish and Jeffrey,Dahmer, plus reviews of cannibal movies such as,'texas Chainsaw Massacre', 'Cannibal Holocaust',and others. This brand new, updated and expanded,edition includes an extra chapter on Flesh-Eating,Zombies in classic horror movies like George A,Romero's 'Night of the Living Dead', Lucio Fulci's,'Zombi 2' and Peter Jackson's 'Braindead', plus a,new, full colour section of extreme screen goreand a report on new cannibal movies e.g. 'Hannibal