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Paradise from behind the Iron Curtain
Paradise from behind the Iron Curtain provides a detailed survey of the key responses to Milton’s work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton’s works. Critical and artistic appraisals of Milton’s works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton’s participation in the Civil War earned him the title of a ‘revolutionary hero,’ on the other hand, religious aspects of his works were often disregarded and sometimes proactiv...
The Politics of Grace in Early Modern Literature
This book tells the story of how early modern poets used the theological concept of grace to reimagine their political communities. The Protestant belief that salvation was due to sola gratia, or grace alone, was originally meant to inspire religious reform. But, as Deni Kasa shows, poets of the period used grace to interrogate the most important political problems of their time, from empire and gender to civil war and poetic authority. Kasa examines how four writers—John Milton, Edmund Spenser, Aemilia Lanyer, and Abraham Cowley—used the promise of grace to develop idealized imagined communities, and not always egalitarian ones. Kasa analyzes the uses of grace to make new space for indi...
Genealogy and Social History
In recent years, genealogical websites and government agencies have made millions of valuable historical documents digitally available to the public. There is a tremendous amount of information that can be gleaned from these documents to aid scholars interested in social history. This volume brings together researchers presenting historically contextualized family case studies as a lens to enrich the reader’s understanding of the past.
Tárházi
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Paradise from Behind the Iron Curtain
The role and reception of Milton's work in Communist Hungary. This book provides a detailed survey of the key responses to Milton's work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton's works. Appraisals of Milton's works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton's participation in the Civil War earned him the title of a "revolutionary hero," on the other hand, religious aspects of his works were often disregarded and sometimes proactively suppressed. This book highlights these diverging responses and places them in the wider context of socialist cultural policy. In addition, it presents the full Hungarian script of the 1970 theatrical performance of Milton's Paradise Lost, the first of its kind since the work's publication, alongside a parallel English translation, enabling a deeper reflection on Milton's original theodicy and its possible interpretations in communist Hungary.
Milton on Film
In January 2012, shooting was set to begin in Sydney, Australia, on the Hollywood-backed production of Milton’s Paradise Lost, with Oscar nominee Bradley Cooper cast as Satan. Yet just two weeks before the start of production, Legendary Pictures delayed the project, reportedly due to budgetary concerns, and soon the company had suspended the film indefinitely. Milton scholar Eric C. Brown, who was then serving as a script consultant for the studio, sees his experience with that project as part of a long and perplexing story of Milton on film. Indeed, as Brown details in this comprehensive study, Milton’s place in the popular imagination—and his extensive influence upon the cinema, in particular—has been both pervasive and persistent.
