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Essays by a founder of the Borderland Foundation in East-Central Europe explore the meanings of community in a fractured world.
This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Poloniz...
A pioneering survey of leading and emerging global artists, curators and art practitioners on the question: can art aid in conflict resolution and therefore reduce global tensions and human suffering? Throughout the centuries, art has documented the atrocities of wars, participated in propaganda campaigns, and served as an advocate for peace and social justice around the world. The aim of this project is to explore how art can assist in creating dialogue and bridges across cultures and opposing groups. Over 100 leading and emerging architects, artists, curators, choreographers, composers, and directors of art institutions around the globe explore the potentially constructive role of the arts in conflict resolution. A summarizing chapter maps out the diverse positions and examines the variety of themes and approaches that were brought up.
God Owes Us Nothing reflects on the centuries-long debate in Christianity: how do we reconcile the existence of evil in the world with the goodness of an omnipotent God, and how does God's omnipotence relate to people's responsibility for their own salvation or damnation. Leszek Kolakowski approaches this paradox as both an exercise in theology and in revisionist Christian history based on philosophical analysis. Kolakowski's unorthodox interpretation of the history of modern Christianity provokes renewed discussion about the historical, intellectual, and cultural omnipotence of neo-Augustinianism. "Several books a year wrestle with that hoary conundrum, but few so dazzlingly as the Polish philosopher's latest."—Carlin Romano, Washington Post Book World "Kolakowski's fascinating book and its debatable thesis raise intriguing historical and theological questions well worth pursuing."—Stephen J. Duffy, Theological Studies "Kolakowski's elegant meditation is a masterpiece of cultural and religious criticism."—Henry Carrigan, Cleveland Plain Dealer
The author explores the phenomenon of the Jewish culture in Europe. In this book she askes in what way do non-Jews embrace and enact Jewish culture and for what reasons.
Polish-Jewish relations, rather good in pre-partition Poland, deteriorated in the mid-19th century, and even more in the Second Republic (1919-39) with its exclusivist nationalism. The wartime period was marked by strong anti-Jewish moods in Poland; antisemitism was a "legitimate" stance within the resistance movement. However, many Poles helped Jews. Between 1944-48 Polish rulers conducted politics favorable toward Jews, but they used the Jewish issue as a tool in their struggle against the old elite, which whipped up anti-Jewish sentiments. In the 1950s-60s the Holocaust was increasingly de-Judaized in Polish discourse; after 1968, when Poland engaged in the anti-Zionist campaign, Jews ceased to be mentioned at all. The genocide of the Jews began to be discussed in Poland only after 1978; the Solidarity movement used its memory in its struggle against the government. At the same time, popular antisemitism re-emerged. Now, many Poles object to what they see as over-emphasis of Jewish suffering and neglect of non-Jewish suffering under the Nazis.
What is the role of the survivor testimony in Holocaust remembrance? In this book, a concise, rigorously argued, and provocative work of cultural and intellectual history, the author seeks to answer this surpassingly complex question.