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Toward Xenopolis
Preface / Mayhill C. Fowler -- Acknowledgements / Krzysztof Czyżewski -- Editorial note / Mayhill C. Fowler -- Map -- Introduction / Timothy Snyder -- Xenopolis -- Miłosz: A Connective Tissue -- Towards deep culture: a practitioner's reflections -- Drama of the Polish outsider -- Reinventing Central Europe -- Czernowitz: a forgotten metropolis -- The spirituality of Vilnius -- Between Timișoara and Târgu Mureș -- Our Bosnia: Bosnia becomes ours, until it hurts -- Sacrum, Fascism, Eliade -- Jerzy Ficowski: A reading of ashes -- Stanisław Barańczak: A widening horizon -- Tony Judt: An elder brother in thinking -- Tomas Venclova: A man from the other side -- The Spirit of Truth: On essays by Irena Grudzińska-Gross -- Select bibliography -- Index.
Renaissance and Baroque Art and Culture in the Eastern Polish-Lithuanian Commonwealth (1506-1696)
This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Poloniz...
Can Art Aid in Resolving Conflicts?
A pioneering survey of leading and emerging global artists, curators and art practitioners on the question: can art aid in conflict resolution and therefore reduce global tensions and human suffering? Throughout the centuries, art has documented the atrocities of wars, participated in propaganda campaigns, and served as an advocate for peace and social justice around the world. The aim of this project is to explore how art can assist in creating dialogue and bridges across cultures and opposing groups. Over 100 leading and emerging architects, artists, curators, choreographers, composers, and directors of art institutions around the globe explore the potentially constructive role of the arts in conflict resolution. A summarizing chapter maps out the diverse positions and examines the variety of themes and approaches that were brought up.
Virtually Jewish
The author explores the phenomenon of the Jewish culture in Europe. In this book she askes in what way do non-Jews embrace and enact Jewish culture and for what reasons.
Bondage to the Dead
Polish-Jewish relations, rather good in pre-partition Poland, deteriorated in the mid-19th century, and even more in the Second Republic (1919-39) with its exclusivist nationalism. The wartime period was marked by strong anti-Jewish moods in Poland; antisemitism was a "legitimate" stance within the resistance movement. However, many Poles helped Jews. Between 1944-48 Polish rulers conducted politics favorable toward Jews, but they used the Jewish issue as a tool in their struggle against the old elite, which whipped up anti-Jewish sentiments. In the 1950s-60s the Holocaust was increasingly de-Judaized in Polish discourse; after 1968, when Poland engaged in the anti-Zionist campaign, Jews ceased to be mentioned at all. The genocide of the Jews began to be discussed in Poland only after 1978; the Solidarity movement used its memory in its struggle against the government. At the same time, popular antisemitism re-emerged. Now, many Poles object to what they see as over-emphasis of Jewish suffering and neglect of non-Jewish suffering under the Nazis.
The Era of the Witness
What is the role of the survivor testimony in Holocaust remembrance? In this book, a concise, rigorously argued, and provocative work of cultural and intellectual history, the author seeks to answer this surpassingly complex question.
After Such Knowledge
As the Holocaust recedes from us in time, the guardianship of its legacy is being passed on from its survivors and witnesses to the generation after. How should we, in turn, convey its knowledge to others? What are the effects of a traumatic past on its inheritors, and the second generation's responsibilities to its received memories? Eva Hoffman probes these questions through personal reflections and through broader explorations of the historical, psychological and moral implications of the second-generation experience. She examines the subterranean processes through which private memories of suffering are transmitted, and the more wilful stratagems of collective memory. As she guides us through the poignant juncture at which living memory must be relinquished, she asks what insights can be carried from the past, and urges the need to transform potent family stories into a fully-informed understanding of a forbidding history.
