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Born on 26 December 1776 in East Flanders, then an Austrian province, Charles Hamilton Smith was a descendent of a Flemish Protestant family named Smet. In England he attended school in Richmond, Surrey, but having returned to Flanders he went on to study at the Austrian Academy for Artillery and Engineers at Malines and Louvain. He was a talented artist and as such provided one of the most valuable references to military costume ever produced. In Costume of the Army of the British Empire, Hamilton Smith placed on record a detailed account of the several uniforms worn around the time of the Peninsular War. Originally issued in sets of four, the prints were produced from work drawn and etched...
Military artists tend to paint the two extremes of the soldiers life; at one end the subject is rendered in his parade best uniform, pressed and spotlessly clean, and at the other extreme locked in heroic combat defeating his enemy. Friedrich Ludwig Scharf took the middle road, painting the troops as they looked going about their daily duties. Scharf, on one hand an artist, had also been a career Jger enlisted man, rising to the rank of Offizierstellvertrater in 1918. He spent most of his wartime service on the Eastern front where he observed and fought with the Cavalry regiments, as well as the Reserve and Landsturm troops assigned to that front. In his paintings the uniform historian and m...
"More than 650 colour illustrations"--Cover.
In this volume are presented some of Thomas Rowlandson's most elegant and effective works in terms of pure printmaking. The result is arguably the greatest of all military costume books.
Includes: U.S. and Canada, United Kingdom, Soviet Union, Europe, Israel, the Middle East, Africa, Asia, South Pacific, India and Pakistan, and Latin America; and webbing and equipment.
Describes the campaign and dress uniforms of American and European soldiers from the seventeenth century through World War I.
In the years immediately before the First World War, Archibald Haswell Miller, a young artist, travelled Europe to study painting. While he was there he indulged his other great interest the military. On his travels he observed first-hand the soldiers of the European Armies in the last days of the colourful and elaborate uniforms that were giving way to grey and khaki across the continent. Realising that this was a great military heritage that was slipping away he set out to record these splendid uniforms. In those uncertain days before the assassination of the Archduke Ferdinand in Sarajevo, Haswell Miller sketched and painted hundreds of figures, each wearing a different uniform, from the ...
Following the success of his volumes featuring the works of Thomas Rowlandson and Charles Hamilton Smith (both in his 'Guide to Military Art' series and published by the Naval & Military Press), Ray Westlake has this time turned his attention to military music. Delving into the many thousands of prints and original artworks available from his own and other collections, he has selected for this volume some 150 images featuring military musicians, bands and sheet music covers, each one the colourful and informative work of a talented artist. The book is divided into two sections. The first shows images of military bands and those who played in them-drummers, trumpeters, buglers, pipers and pla...
The notion has persisted far too long that the army of patriots that won Texas independence from Mexico in 1835-1836 was totally without uniforms, clad indifferently for the most part in rustic frontier garb. This was true for many, but by no means all. Surprisingly, there were uniformed Texas units in all of the major battles of the Texas Revolution from the first to the last: the siege of Bexar, the Alamo, Goliad (Coleto), and the final victory at San Jacinto. This new book by Bruce Marshall is a long overdue history of the uniforms of the Texas Revolution and the men who wore them. It will also reveal certain hitherto suppressed material from some who served, including the vast majority of the Texas officers, challenging the generally accepted historical version portraying the Texas commander, General Sam Houston, as a master strategist who, alone, deserved full credit for saving Texas.