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Complex Identities
Focusing on 19th-and 20th-century European, American and Israeli artists, the contributors explore the ways in which Jewish artists have responded to their Jewishness and to the societies in which they lived (or live), and how these factors have influenced their art, their choice of subject matter, and presentation of their work.
Mutual Reflections
This text examines the mutual relationship between Jews and African Americans through visual art. It investigates how artists of both backgrounds have viewed each other in the past - how visual languages and thematic concerns have changed to reflect different issues of concern to each group.
The Place of the Mediterranean in Modern Israeli Identity
This book offers new perspectives on Israel’s evolving Mediterranean identity, which centers around the longing to find a "natural" place in the region. It explores Mediterraneanism as reflected in popular music, literature, architecture, and daily life, and analyzes ways in which the notion comprises cultural identity and polical realities.
Jewish Dimensions in Modern Visual Culture
A fascinating look at key aspects of visual culture in modern Jewish history
Divine Madness
This book provides a theory that enables the concept of irony to be transferred from the literary to the visual and aural domains. Topics include the historical roots of the concept of irony as modes of oral and literary expression, and how irony relates to spatiality.
Aubrey Beardsley
The significance of Aubrey Beardsley's illustrations and their modernity lies in the discord between ornamental elegance («surface») and their inner human content («symbol»). Pierrot, the embryo-dwarf, the hermaphrodite, the image of the woman, Pan are symbols through which the artist reveals himself. And yet, simultaneously, the meaning of the symbol is neutralized by the use of irony which serves as a mechanism of self-defence. Though much of Beardsley's art derives from secondary sources (literature, theatre, music and opera), Beardsley's book illustrations are not merely literary but are autonomous works of art. They convey a competitive tension between words and lines - books and drawings, the artist's versus the author's personality. Beardsley, the fin-de-siècle artist, belonged to the same Zeitgeist as Freud and expressed visually certain themes Freud was then articulating. In this sense his artistic creations anticipated twentieth-century art.
The Artist's Torah
The Artist's Torah is an uplifting and down-to-earth guide to the creative process, wide open to longtime artists and first-time dabblers, to people of every religious background--or none--and to every creative medium. In this book, you'll find a yearlong cycle of weekly meditations on a life lived artistically, grounded in ancient Jewish wisdom and the wisdom of artists, composers, writers, and choreographers from the past and present. You'll explore the nature of the creative process--how it begins, what it's for, what it asks of you, how you work your way to truth and meaning, what you do when you get blocked, what you do when you're done--and encounter questions that will help you apply the meditations to your own life and work. Above all, The Artist's Torah teaches us that creativity is a natural and important part of the human spirit, a bright spark that, week after week, this book will brighten.
Doppelgangers, Alter Egos and Mirror Images in Western Art, 1840-2010
The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.
Text, Body and Indeterminacy
The nature of the self is an important point at which philosophy and literature intersect. Text, Body and Indeterminacy acknowledges this connection by forging a link between the philosophical concept of the self and the category of the literary character. The philosophical horizon of Text, Body and Indeterminacy is delineated by the neo-pragmatist debate on selfhood. The book entwines the ideas of Richard Rorty and Richard Shusterman by stressing similarity in their aestheticizing of ethics and by showing the difference in their understanding of the self as textual or bodily. The characters created by Pater and Wilde are freshly assessed within this dual philosophical perspective. Their dop...
Too Jewish or Not Jewish Enough
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively re-cent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
