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"Examples of well-known projects abound - ranging from newspapers and magazines to toys, textiles, interiors, posters, and CD covers. If you've ever seen the menu at Windows on the World, used a bottle of ketchup from Grand Union, or read the playbill for Tony Kushner's Angels in America, you've been privy to the conceptual thinking of a powerful force in design."--BOOK JACKET.
Reissued now for its 25th aniversary, Graphic Design, perhaps the most famous book of its kind, explores the extraordinary achievement of America's pre-eminent graphic artist. Here Glaser undertakes not only a remarkably wide-ranging representation of his oeuvre but, in a personally revealing introduction, speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. His work ranges from posters to book and record covers; from store and restaurant design to toy creations, magazine formats, and logotypes -- all of which define the look of our time. Copyright © Libri GmbH. All rights reserved.
The late designer Milton Glaser once said, "The most overused word, creativity, should in fact be described as discovery." This revealing peek inside Glaser's never-before-published journals offers uncommon insight into his design process. Through notes, drawings, and sketches from his home in New York City and his travels throughout Italy, France, and Spain, Glaser inspires the reader to find meaning in even the smallest details: a cat, a stage set, a portrait, a building--all aresignificant. "The joyfulness of art is discovering the connections themselves," Glaser wrote. A brief introduction by Glaser and an interview conducted by Jeremy Elias, originally printed in theNew York Times, are included.
Milton Glaser has designed more than 500 posters. Some, like his 1967 Bob Dylan poster for Columbia Records, are icons; others, like the series celebrating "I [heart] New York," evoke his best-known works. Milton Glaser Posters includes more than 400 of them, with Glaser's own commentary describing his intentions and inspiration. It is a delight for the art lover, an education in visual storytelling, and a journey through the cultural life of half a century, all rolled into one compact, intense book.
For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In Mag Men, Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine. Richly illustrated with the covers and interiors that defined their careers, Mag Men is bursting with vivid examples of ...
"For more than fifty years, Milton Glaser has designed much of the world we live and experience every day. His posters, books, albums, restaurants, advertisements, and so much more have identified him as the preeminent force in design in America. Now, in Drawing is Thinking, Glaser draws upon an amazing vocabulary of images and techniques to create his most personal book to date. In a way, he has not only been drawing all his life, he has been thinking about art and design on that journey." "Based on his view that all art has its origin in the impulse to create, he has designed a book that powerfully delineates this position. In Drawing is Thinking, the drawings depicted are meant to be expe...
Dissent is an essential part of keeping democratic societies healthy; for citizens to voice our opinion is not only our privilege but our responsibility. Without this dialogue, the backbone of what we have fought so desperately for could easily crumble. Over the past decades, the number of democratic societies has increased around the globe, and there is a heightened awareness of increasing conflicts and problems that affect our everyday lives. With the Middle East conflict, the war on terrorism, and financial and environmental crises, people's sense of safety, power, and representation has diminished in part because they feel they have no voice. Designers, however, use their skills to communicate their dissent, even more so now with the World Wide Web and the increasing ease of distributing posters and other printed materials. This book examines graphic work focusing on social and political concerns from around the globe.--From publisher description.
"Dissent is an essential part of keeping democratic societies healthy, and our ability as citizens to voice our opinions is not only our privilege, it is our responsibility. Most importantly, it is a human right, one which must be fervently fought for, protected, and defended. Many of the issues and conflicts visited in the first edition of this book remain vividly present today. They are reminders of how democracy and social change are often incremental, requiring patience, diligence, hope, and the continuing brave voices of designers whose skillful imagery emboldens in the face of struggle. The 160-plus new works in this edition document the Arab Spring, the Obama presidency, Occupy Wall S...