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Milton's Ovidian Eve presents a fresh and thorough exploration of the classical allusions central to understanding Paradise Lost and to understanding Eve, one of Milton's most complex characters. Mandy Green demonstrates how Milton appropriates narrative structures, verbal echoes, and literary strategies from the Metamorphoses to create a subtle and evolving portrait of Eve. Each chapter examines a different aspect of Eve's mythological figurations. Green traces Eve's development through multiple critical lenses, influenced by theological, ecocritical, and feminist readings. Her analysis is gracefully situated between existing Milton scholarship and close textual readings, and is supported by learned references to seventeenth-century writing about women, the allegorical tradition of Ovidian commentary, hexameral literature, theological contexts and biblical iconography. This detailed scholarly treatment of Eve simultaneously illuminates our understanding of the character, establishes Milton's reading of Ovid as central to his poetic success, and provides a candid synthesis and reconciliation of earlier interpretations.
As a child growing up in various cities and towns, Britt Rutgers exhibits both acute sensitivity and an insatiable ebullience that expresses itself in rebelliousness against his restrictive parents. But something profoundly important is missing deep inside. As he moves into his late teens in the 1950s on a farm near Mayfield, Iowa, his enthusiasm gradually morphs into agonizing self-consciousness, feelings of guilt, embarrassment over sexual navet, and fear wrought by his fundamentalist religious upbringing. His parents have always placed his quiet older brother on a pedestal, and Britt begins to emulate him. Battling these internal demons, Britt is unable to concentrate and becomes panicky ...