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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.
Milton was back in England in August, 1639. He had been absent a year and three months, during which space of time the aspect of public affairs, which had been perplexed and gloomy when he left, had been growing still more ominous of a coming storm. The issues of the controversy were so pervasive, that it was almost impossible for any educated man who understood them not to range himself on a side. Yet Milton, though he had broken off his projected tour in consequence, did not rush into the fray on his return.
Milton and the People examines John Milton's beliefs in the role of the people, tracing the twists and turns of Milton's terminology and rhetoric as he grapples with the problem that the people have a calling to which they seem not to be adequate.
No artist creates his works in a vacuum. Beyond the conscious influence of books read, artwork seen, minds probed (through conversation or exchange of letters), writers are in no small part products of everything that surrounds them--people, places, things, events. MILTON'S CENTURY is designed to place one particular genius--John Milton, arguably the finest poet the English nation (perhaps even Western civilization) has produced--in the context of his time. And what a remarkable time it was--a century of revolutions, of discoveries, of literary and artistic efflorescence, of religious turmoil and political turbulence, of plagues and fires and ultimate rebuilding...and of the first adumbrations of the Modern Age. MILTON'S CENTURY becomes vital and alive for twenty-first-century readers through the vast network of connections and interconnections that Professor Collings articulates. [Borgo Literary Guides, No. 15.]