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Obliged to be Difficult
Since the 1967 constitutional referendum, Australian governments have moved towards policies of indigenous self-determination. Obliged to be Difficult, first published in 2000, presents the central issue of self-determination as seen by Dr H.C. Coombs, the most important policy maker since the referendum: through what political mechanisms will indigenous Australians find their own voice? Coombs was singularly influential within government in the years 1967 to 1976, and he remained a tireless critic and policy advocate from 1977 to 1996. Rowse's narrative of his work, drawing on many unpublished sources, illuminates the interplay of government policy with indigenous practice. This book is both an account of government policies and a biographical slice of an outstanding Australian. In attempting a critical celebration of Coombs' vision and methods, it invites informed reflection on the issues of land rights, sovereignty and reconciliation in these conservative, and highly anxious, times.
Mimili
Heinrich Clauren: Mimili Erstdruck: 1815/16 in Fortsetzungen in der Zeitschrift »Der Freimüthige oder Unterhaltungsblatt für gebildete, unbefangene Leser«. Als Buch: Dresden, Paul Gottlob Hilscher, 1816. Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2017. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 11 pt.
Mimili
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Mimili
Unveränderter Nachdruck der Ausgabe von 1816.
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The Chinese Filmography
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.
70802
It is a practiced belief that it takes a community to raise the youth of that community. But what happens to the youth of that community if the people of the community and the very soil the community is built on are corrupted? Vietnam G. Franklin, also known as Li'l One Gone, was conceived through a mixture of heated passion laced with a dose of intoxicants. Born into a community rampant with crime and violence, a place where the consumption of illegal drugs is more prevalent to the substance of life to the occupants of the community than food and water are; trying to find his way; rejected, ridiculed, and despised by his peers; an introvert by circumstance roaming the streets solo, trying to find his way, Li'l One Gone often finds himself in the company of the neighborhood movers and shakers. Pulled in under their wings, thrown into the hustle and bustle of the streets, schooled by them on the ways of the game and the arts of the streets called the life, will Li'l One Gone rise to the top of the cesspool of the streets, or will he be met with the same fate of the ones who tucked him in underneath their wings?
