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Demonstrates how attentive observation of art provides an excellent opportunity for the cultivation of the "art of intelligence."
In this book, Roy Pateman provides the most reader-friendly, up to date biography of B. Traven, an enigmatic writer whose readership spread across broader class, race, and language divides more than anyone else writing during the twentieth century. This unconventional biography discusses Traven's alternative histories, followed by an attempt to find out the major influences of this elusive man. Pateman addresses Traven's politics, his life of humanist anarchism, and discusses all of his works (in English and German), emphasizing The Death Ship, The Treasure of the Sierra Madre, and the "Jungle Sextet." Also included is a chronology of Traven's life, which is fuller than that found in any other study. The book ends with a modest solution to the intractable problem of who Traven really was and where he was born and raised.
This 1997 book discusses the shift to quantitative perception which made modern science, technology, business practice and bureaucracy possible.
Series covers individuals ranging from established award winners to authors and illustrators who are just beginning their careers. Entries cover: personal life, career, writings and works in progress, adaptations, additional sources, and photographs.
This comprehensive volume provides a wealth of information with annotated listings of more than 3,500 titles--a broad sampling of books on the war years 1939-1945. Includes both fiction and nonfiction works about all aspects of the war. Professional resources for educators aligned to the educational standards for social studies; technical references; periodicals and electronic resources; a directory of WWII museums, memorials, and other institutions; and topics for exploration complement this excellent library and classroom resource.
At least since the time of Paul (see Acts 18), Christians have wrestled with the power and danger of religious imagery in the visual arts. It was not until the middle of the twentieth century that there emerged in Western Christianity an integrated, academic study of theology and the arts. Here, one of the pioneers of that movement, H. Wilson Yates, along with fourteen theologians, examine how visual culture reflects or addresses pressing contemporary religious questions. The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.