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Nordic Private Collections of Chinese Objects
This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes. This leads to a reconsideration of how to define collecting and display by analysing the difference between objects serving as decorative or collectible items, while tracing collecting and display trends of the twentieth century. Minna Törmä examines four Scandinavian collections as case studies: Kustaa Hiekka, Sophus Black, Osvald Sirén and Marie-Louise and Gunnar Didrichsen, all of whom had professional backgrounds (a jeweler, two businessmen and a scholar) and for whom collecting became a passion and an educational endeavour. This book will be of interest to scholars in art history, museum studies, Chinese studies and design history.
Proceedings of the 4th International Congress of the Archaeology of the Ancient Near East, 29 March - 3 April 2004, Freie Universität Berlin
The Congress hosted 611 registered participants from 38 countries. Its aim was to be an international forum for scholars and demands of Near Eastern Archaeology. From the four sections of the Congress, [Vol. I: 1) The Reconstruction of Environment. Natural Resources and Human Interrelation through Time, 2) Visual Communication ISBN 978-3-447-05703-5], Vol. II: 3) Social and Cultural Transformation: The Archaeology of Transitional Periods and Dark Ages, 4) Archaeological Field Reports (Excavations, Surveys, Conservation) Together these volumes unite 77 contributions on about 1100 pages. They are arranged according to the sections. The rst three will be introduced by the key lectures which were given by Tony Wilkinson, Winfried Orthmann, and Roger Matthews. The resumes of these sections were provided by Wendy Matthews, Dominik Bonatz, and Diederik J.W. Meijer. The contributions cover many aspects of the main themes through time, from the Neolithic to the Hellenistic / Roman period, and offer interdisciplinary approaches to complex archaeological problems.
Satellite and Archaeological Reconnaissance in the Ṭūr ’Abdīn, Turkey
Presents results from the Finnish-Swedish Archaeological Project in Mesopotamia (FSAPM) pilot study of Tūr Abdin, Turkey. Aiming to record and document sites in this endangered area to save its cultural heritage, the sites consist of fortified remains in an ancient border zone between the Graeco-Roman/Byzantine world and Parthia/Persia.
Enchanted by Lohans
Finnish-Swedish art historian Osvald Sirén (1879–1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921–23, 1929–30 and 1935. This was a pivotal period in Chinese archaeology, art studies and formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. But when he was almost 40 years old, he was captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew, in a way. He has left his mark in several fi elds in Chinese art studies: architecture, sculpture, painting and garden art. The study charts Sirén’s itineraries during his travels in Japan, Korea and China; it introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. It also explores the impact of theosophical ideas in his work.
On the Philosophy of Central European Art
This book is an introduction to the history of the concept and the institution of (fine) art, from its ancient Southern European roots to the establishment of the modern system of the arts in eighteenth century Central Europe. It highlights the way the concept and institution of (fine) art, through colonialism and diaspora, conquered the world. Ryynänen presents globally competing frameworks from India to Japan but also describes how the art system debased local European artistic cultures (by women, members of the working class, etc) and how art with the capital A appropriated not just non-Western but also Western alternatives to art (popular culture). The book discusses alternative art forms such as sport, kitsch, and rap music as pockets of resistance and resources for future concepts of art. Ultimately, the book introduces nobrow as an alternative to high and low, a new concept that sheds light on the democratic potentials of the field of art and invites reader to rethink the nature of art.
Centring the Periphery: New Perspectives on Collecting East Asian Objects
Centring the Periphery: New Perspectives on Collecting East Asian Objects, edited by Nataša Vampelj Suhadolnik, explores East Asian collections in "peripheral" areas of Europe and North America and their relationship with the East Asian collections in former imperial and colonial centres. The authors not only present the stories of a number of less well-known individual objects and collections, but also discuss the evolution of fashions and tastes in East Asian objects in areas that were not centres of European colonial power, and the socioeconomic conditions in which they were collected. To date, research on the collecting of East Asian objects in the Euro-American region has focused prima...
Landscape Theory
Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology. This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.
The Mission of Development
The Mission of Development interrogates the complex relationships between Christian mission and international development in Asia from the 19th century to the new millennium. Through historically and ethnographically grounded case studies, contributors examine how missionaries have adapted to and shaped the age of development and processes of ‘technocratisation’, as well as how mission and development have sometimes come to be cast in opposition. The volume takes up an increasingly prominent strand in contemporary research that reverses the prior occlusion of the entanglements between religion and development. It breaks new ground through its analysis of the techno-politics of both development and mission, and by focusing on the importance of engagements and encounters in the field in Asia.
Chinese Landscape Painting as Western Art History
This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.
Chinese Buddhism and the Scholarship of Erik Zürcher
Since Erik Zürcher's landmark Buddhist Conquest of China, the study of earlier phases of Chinese Buddhist history has made great progress with new materials, new interpretations and new problematizations. This volume brings together 12 contributions from the leading scholars in the field offering new perspectives on this old tradition.
