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Minoru Takeyama
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Minoru Takeyama
This text discusses the development and significance of the architecture of Minoru Takeyama. It provides a critical analysis of his architecture, an essay by Takeyama himself, and critical articles by Charles Jencks and Kazukiyo Matsuba. In addition it features 20 important buildings and projects.
Minoru Takeyama
None
The New Paradigm in Architecture
This book explores the broad issue of Postmodernism and tells the story of the movement that has changed the face of architecture over the last forty years. In this completely rewritten edition of his seminal work, Charles Jencks brings the history of architecture up to date and shows how demands for a new and complex architecture, aided by computer design, have led to more convivial, sensuous, and articulate buildings around the world.
A Critical History of Contemporary Architecture
1960, following as it did the last CIAM meeting, signalled a turning point for the Modern Movement. From then on, architecture was influenced by seminal texts by Aldo Rossi and Robert Venturi, and gave rise to the first revisionary movement following Modernism. Bringing together leading experts in the field, this book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. It consists of two parts: the first section providing a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.
The Monument
In Baghdad, an enormous monument nearly twice the size of the Arc de Triomphe towers over the city. Two huge forearms emerge from the ground, clutching two swords that clash overhead. Those arms are enlarged casts of those of Saddam Hussein, showing every bump and follicle. The "Victory Arch" celebrates a victory over Iran (in their eight-year-long war) that never happened. This text is a study of the interplay between art and politics - of how culture, normally an unquestioned good, can play into the hands of a power with devastating effects. Kanan Makiya uses the culture invented by Saddam Hussein as a window into the nature of totalitarianism and shows how art can become the weapon of dictatorship. Under Saddam Hussein, culture connived in his evil - this text explains how. It should be useful reading for anyone concerned with the power of culture and the culture of power.
