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Technologies of the Image
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
An Album of Artists' Drawings from Qajar Iran
Harvard's Qajar Album--57 folios, with nearly 150 drawings, paintings, prints, and embossed works--is a remarkably wide-ranging collection of human, animal, and floral studies; narrative compositions inspired by Persian classic literature and historical subjects; religious themes; and portraits of rulers and heroes. Because these types of works were originally created as technical materials for artists to use in their daily work, most have been lost over time as a result of repeated use and subsequent damage or disposal. This publication offers a rare opportunity not only to appreciate the ingenuity of the individual works, but also to gain a better understanding of the entire system of arti...
Technologies of the Image
With a few notable exceptions, scholars have historically understudied and often underappreciated the art of Iran in the Qajar era (1779-1925). This catalogue presents a fresh take on the art of the period, setting aside the value judgments that shaped early responses to instead examine the effects and results of new technologies of representation across a variety of mediums. The book foregrounds the inherent relationship and movement among mediums and images, both traditional and new, while deflecting primary attention from royal patronage to more public and widely accessible forms of image-making. In bringing together four principal art forms--lacquer, painting and drawing on paper, lithog...
Friedrich Rosen
The German lacuna in Edward Said’s 'Orientalism' has produced varied studies of German cultural and academic Orientalisms. So far the domains of German politics and scholarship have not been conflated to probe the central power/knowledge nexus of Said’s argument. Seeking to fill this gap, the diplomatic career and scholarly-literary productions of the centrally placed Friedrich Rosen serve as a focal point to investigate how politics influenced knowledge generated about the “Orient” and charts the roles knowledge played in political decision-making regarding extra-European regions. This is pursued through analyses of Germans in British imperialist contexts, cultures of lowly diplomat...
Getty Research Journal
The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on works by Bolognese painter Guido Reni and his studio; a collection of late nineteenth-century images by one of Iran’s most prolific photographers, Antoin Sevruguin; Le Corbusier’s encounters with and monumentalization of the konak, a type of Ottoman house; the correspondence between René Magritte and his wife while h...
Contesting the Iranian Revolution
Examines the last forty years of Iranian and Middle-Eastern history through the prism of the Green Uprisings of 2009.
Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in Its Illustrated Manuscripts
Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
Teen Talk
Tagliamonte documents the marginalised language of teens, presenting the fascinating inside story of language variation and change.
Epicureanism
This very short introudction corrects the prevalent view of Epicureanism that often conjures up ideas of tasty delights and hedonism. Wilson explains the philosophical and scientific ideas of Epicurus and his followers and the legacy of Epicureanism on later European thought.
The Royal Lens
Khosronejad's unique collection provides us with a treasure trove of images focusing on the daily life of Naser al-Din Shah, his wives, concubines, and slaves of both sexes. Janet Afary Mellichamp Professor of Religious Studies UC Santa Barbara Pedram Khosronejad has provided invaluable new information about the history of photography in Iran during the 19th-century Qajar period. In particular he has carefully researched the photographs taken by Naser al-Din Shah, perhaps the Qajar monarch most fascinated by Western technology. These intimate photographs of his own harem are unique and highly informative, not just for their intrinsic value in a period in which human images were disapproved of, but also for what they reveal about Naser al-Din Shah, his self-image, his household and his court. William O. Beeman Professor, Department of Anthropology University of Minnesota
