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Suffrage and the Arts re-establishes the central role that artistic women and men-from jewellers, portrait painters, embroiderers, through to retailers of 'artistic' products-played in the suffrage campaign in the British Isles. As political individuals, they were foot soldiers who helped sustain the momentum of the movement and as designers, makers and sellers they spread the message of the campaign to new local, national and international audiences, mediating how suffrage activism was understood by society at large. Published to coincide with the centenary of the 1918 Representation of the People Act, which granted the vote to women over the age of thirty meeting a property qualification, ...
The suffrage movement remains the largest autonomous political movement of women in British history. The Routledge Companion to British Women’s Suffrage provides a comprehensive survey of state-of-the-art contemporary scholarship on this movement. Arranged across four thematic sections, this volume explores the range of developments in suffrage research since the 1990s, combining a range of scholars’ unique insights to offer a much more complete picture of the British suffrage campaign. Each section provides a thoroughgoing overview of different approaches that have underpinned studies of the British suffrage movement, across disciplines ranging from history and gender studies, to literature, digital humanities, and sociology. Sections also explore the various aspects of the material cultures of the suffrage campaign, the variety of suffrage organisations, and the legacies of the movement. The Routledge Companion to British Women’s Suffrage is an essential handbook for those studying the history, sociology, and politics of the suffrage movement, with a valuable insight into contemporary developments in research.
Being a dragon is a death sentence. Being a Tasker might be worse. Jean-Michel is BOTH. Jean-Michel Raudine has been his name for centuries, thanks to an oath that bound his dragon soul to a human body. A specialized operative called a Tasker, Jean works for Crimson, the very organization that hunts dragons and kills them on sight. What better place to hide than among your enemy? Gabriel Kennedy is a well-known businessman with secrets - one of which is that he’s a Councilor in the supernatural justice system. He decides the fate of paranormal beings that break the laws of Crimson. What will he do when he realizes his Tasker is breaking the law by simply existing? Life for the dragon Ta...
Through meticulous examinations, this book analyzes how women update their identities and articulate their feelings through clothing and art in protests, politics in the United States in the 20th century. Topics explored include the suffragists and their impact on contemporary art, the significance of the red dress in both The Handmaid’s Tale and the Missing and Murdered Indigenous Women movement, the impact of the Miss America protests, the rising popularity of the pantsuit for women, the recent dominance of the pussyhat, and the way that feminist slogans are disseminated on t-shirts. Movements discussed include craftivism, hashtag culture, feminism, the CROWN act, Pantsuit Nation, socially-committed stores, and more. Interdisciplinary and intersectional at its core, addressing numerous areas, including fashion, sociology, visual culture, art history, feminism, and popular culture; Fashioning Politics and Protests uncovers how women continue to use visual means, explored via their clothing, to change the world.
Borrowing from Our Foremothers offers a panorama of women's struggles through artifacts to establish connections between the generations of women's right activists. In a thorough historical retelling of the women's movement from 1848 to 2017, Amy Helene Forss focuses on items borrowed from our innovative foremothers, including cartes de visite, clothing, gavels, sculptures, urns, service pins, and torches. Framing the material culture items within each era's campaigns yields a wider understanding of the women's metanarrative. Studded with relics and ninety-nine oral histories from such women as Rosalynn Carter to Pussyhat Project cocreator Krista Suh, this book contributes an important and illuminating analysis necessary for understanding the development of feminism as well as our current moment.
This volume explores how art and artifacts can tell women’s stories of war—a critical way into these stories, often hidden due to the second-tier status of reporting women’s accomplishments. This unique lens reveals personal, cultural, and historically noteworthy experiences often not found in records, manuscripts, and texts. Nine stories from history are examined, from the mythical Amazons of Ancient Greece to a female prisoner of war during World War II. Each of the social, political, and battlefield experiences of Penthesilea, Artemisia, Boudica, the feminine cavaliers, the Dahomey Amazons, suffragists, World War I medical corps, and a World War II prisoner of war are intertwined wi...
By studying a family of working-class suffragettes, Lyndsey Jenkins explores when, why and how the Kenney family got involved in militant suffrage campaigning, what it meant to them, how they benefited, and how it shaped their lives.
"The universe works in mysterious ways. Five women of very different ages, from very different walks of life. Five women with nothing in common nothing except the universal bond of womanhood and their mutual interest in dream analysis. An unlikely group for the universe to bring together. They'd first met at a conference on dream interpretation and discovered they lived within a few minutes' drive of each other. They decided to form a group and meet on a regular basis to continue their study and discussion of dreams. Little did they know how that one weekend would change their lives. Four years and countless pots of tea later, The Dream Girls as they'd christened themselves were the closest of friends. Proof the universe knew what it was doing!"--Author's website.
Reveals a hidden history of women's suffrage from the perspectives of working-class women employed as domestic servants.
This book constitutes the first comprehensive history of the network of women who worked at the heart of the English Arts and Crafts movement from the 1870s to the 1930s. Challenging the long-standing assumption that the Arts and Crafts simply revolved around celebrated male designers like William Morris, it instead offers a new social and cultural account of the movement, which simultaneously reveals the breadth of the imprint of women art workers upon the making of modern society. Thomas provides unprecedented insight into how women navigated authoritative roles as 'art workers' by asserting expertise across a range of interconnected cultures: from the artistic to the professional, intellectual, entrepreneurial and domestic. Through examination of newly discovered institutional archives and private papers, Thomas elucidates the critical importance of the spaces around which women conceptualised alternative creative and professional lifestyles.