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The Language of the Muses
  • Language: en
  • Pages: 316

The Language of the Muses

  • Categories: Art

Since the Renaissance, it has been generally accepted that almost all Roman sculptures depicting ideal figures were copies of Greek originals. This text traces the origin of this idea to the academic belief in the mythical perfection of now-lost Greek art.

Sculpture and Its Reproductions
  • Language: en
  • Pages: 222

Sculpture and Its Reproductions

This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.

The Ancient Art of Emulation
  • Language: en
  • Pages: 342

The Ancient Art of Emulation

  • Categories: Art

Are copies of Greek and Roman masterpieces as important as the originals they imitate?

The Cultures Within Ancient Greek Culture
  • Language: en
  • Pages: 332

The Cultures Within Ancient Greek Culture

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Rome and Her Monuments
  • Language: en
  • Pages: 644

Rome and Her Monuments

Helen Nagy, "Miniature Votive Altars in the Collection of the American Academy in Rome"; Gareth Schmeling, "Urbs Aeterna: Rome, a Monument of the Mind"; Susan Martin, "Transportation Issues in the City of Rome"; Anne H. Groton, "Id est quod suspicabar: Suspecting the Worst in Plautus"; Helen F. North, "Lacrimae Virginis Vestalis"; Michael C. J. Putnam, "Horace c. 3.23: Ritual and Art"; Herbert W. Benario, "Three Tacitean Women"

An Archaeology of Ancestors
  • Language: en
  • Pages: 316

An Archaeology of Ancestors

In this fresh consideration of the origins of the ancient Greeks' ideas and practices concerning their own past, Carla M. Antonaccio demonstrates that hero cult and ancestor cult persisted, throughout the Iron Age, long before epic poetry's heroic narratives were widely disseminated. Although it was not until the dissolution of Iron Age societies that epic poetry and organized hero cult developed to aid claims to legitimacy, practices such as visiting tombs to make offerings were common, and contradict the usual picture of Iron Age religious conservatism.

Chinese Aesthetics
  • Language: en
  • Pages: 369

Chinese Aesthetics

This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220–589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts. A prologue details the historical context in which Six Dynasties aesthetics arose and sketches out its major stages of development. The ten essays that follow bring fresh perspe...

Jewish Literatures and Cultures
  • Language: en
  • Pages: 272

Jewish Literatures and Cultures

Jewish literatures and cultures : context and intertext / Anita Norich -- From continuity to contiguity : thoughts on the theory of Jewish literature / Dan Miron -- Beyond influence : toward a new historiographic paradigm / Michael L. Satlow -- Hellenistic Judaism : myth or reality? / Gabriele Boccaccini -- "He was renowned to the ends of the earth" (1 Maccabees 3:9) : Judaism and Hellenism in 1 Maccabees / Martha Himmelfarb -- Roman statues, rabbis, and Greco-Roman culture / Yaron Z. Eliav -- The ghetto and Jewish cultural formation in early modern Europe : towards a new interpretation / David Ruderman -- Hybrid with what? : the variable contexts of Polish Jewish culture : their implication...

Christian Responses to Roman Art and Architecture
  • Language: en
  • Pages: 351

Christian Responses to Roman Art and Architecture

Laura Nasrallah argues that early Christian literature is best understood when read alongside the archaeological remains of Roman antiquity.

Canons and Values
  • Language: en
  • Pages: 338

Canons and Values

  • Categories: Art

A critical rethinking of the way canons are defined, constructed, dismantled, and revised. A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art, and interrogates the canons of cultures and regions that have often been left at the margins of art history. It underscores the historical and geographical diversity of canons and the local values underlying them. Twelve international scholars consider how canons are constructed and contested, focusing on the relationship between canonical objects and the value systems that sha...