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New Directions in Urban History
This volume introduces, through a series of freshly researched studies, new perspectives on the history of European urban culture from the eighteenth to the twentieth century. The approach is an international one, with essays on Austria-Hungary, France, Germany, Great Britain and Italy, and the authors drawn not only from Europe, but also the USA and Japan. The essays examine a range of specialist aspects of culture, such as gardening, spa towns, painting, and music. At the same time the contributors also explore jointly several broader interconnected themes - health, nature, the arts and cultural institutions, leisure, and tourism - of central importance to the cultural identity and development of the modern European town.
Imagining Early Modern London
The 120 years that separate the first publication of John Stow's famous Survey of London in 1598 from John Strype's enormous new edition of the same work in 1720 witnessed London's transformation into a sprawling augustan metropolis, very different from the compact medieval city so lovingly charted in the pages of Stow. Imagining Early Modern London takes Stow's classic account of the Elizabethan city as a starting point for an examination of how generations of very different Londoners - men and women, antiquaries, merchants, skilled craftsmen, labourers and beggars - experienced and understood the dramatically changing city. A series of interdisciplinary essays explore the ways in which Londoners interpreted and memorialized their past: how individuals located themselves mentally, socially and geographically within the city, and how far the capital's growth was believed to have a moral influence upon its inhabitants.
London
London has for most of 2000 years been the hub of the political, economic, and cultural life of the British Isles. No other city has held such a dominant national position for so long. This new study, by the doyen of London historians, describes London's diverse past, from its origins as aRoman settlement at the first bridging of the Thames to the world-class metropolis it is today. It provides a vivid account of a city which was the 'deere sweete' place which Chaucer loved more than any other city on earth, which was for Dickens his 'magic lantern', and to Keats 'a great sea',howling for more wrecks. It is also a story of much contrast and remarkable resilience; through great fires and pestilence, civil war, and the Blitz, London has rebuilt and reinvented itself for each generation.
The Gardens of the British Working Class
This magnificently illustrated people’s history celebrates the extraordinary feats of cultivation by the working class in Britain, even if the land they toiled, planted, and loved was not their own. Spanning more than four centuries, from the earliest records of the laboring classes in the country to today, Margaret Willes's research unearths lush gardens nurtured outside rough workers’ cottages and horticultural miracles performed in blackened yards, and reveals the ingenious, sometimes devious, methods employed by determined, obsessive, and eccentric workers to make their drab surroundings bloom. She also explores the stories of the great philanthropic industrialists who provided gardens for their workforces, the fashionable rich stealing the gardening ideas of the poor, alehouse syndicates and fierce rivalries between vegetable growers, flower-fanciers cultivating exotic blooms on their city windowsills, and the rich lore handed down from gardener to gardener through generations. This is a sumptuous record of the myriad ways in which the popular cultivation of plants, vegetables, and flowers has played—and continues to play—an integral role in everyday British life.
The birth of modern London
The period 1660–1720 saw the foundation of modern London. The city was transformed post-Fire from a tight warren of medieval timber-framed buildings into a vastly expanded, regularised landscape of brick houses laid out in squares and spacious streets. This work for the first time examines in detail the building boom and the speculative developers who created that landscape. It offers a wealth of new information on their working practices, the role of craftsmen and the design thinking which led to the creation of a new prototype for English housing. The book concentrates on the mass-produced houses of 'the middling sort' which saw the adoption of classicism on a large scale in this country...
A Foot in the Past
During the Enlightenment, in a society that was increasingly urbanised and mobile, footwear was an essential item of apparel. This book considers not only the practical but also the symbolic meaning of footwear in France and England during the period from the end of the seventeenth to the mid nineteenth century.
Consuming Splendor
A fascinating study of the ways in which consumption transformed social practices, gender roles, royal policies, and the economy in seventeenth-century England. It reveals for the first time the emergence of consumer society in seventeenth-century England.
The Culture of Building
The Culture of Building describes how the built world, including the vast number of buildings that are the settings for peoples everyday lives, is the product of building cultures--complex systems of people, relationships, building types, techniques, and habits in which design and building are anchored. These cultures include builders, bankers, architects, developers, clients, contractors, craftspeople, building inspectors, planners, and many others. The product of these cultures, which operate building after building, is the built world of cities and settlements. In this book, Howard Davis uses historical, contemporary, and cross-cultural examples to describe the nature and influence of the...
Understanding Fashion History
The generous reception given to Understanding Fashion History when it was first published in 2004 recognised it as a timely reappraisal of the role of fashion and its place in society. The book introduces the reader to the ways fashionable dress has been defined and studied since the late 17th century, considering the theories that surround the subject, the assembling and use of collections of fashion and textiles, the significance of dress and art, the tension between uniformity of appearance and disguise, and the purpose of theatrical costume. This book has been read and recommended by academics, collectors, curators, students and general readers who want context for the contemporary obsession with fashion. Constantly in demand, it has become a classic text in its field.
