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LONDON'S SOUTH BANK
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From Gainsborough to Constable
This is the catalogue to the exhibition held in summer 1991 at Gainsborough House, Sudbury, focusing on Constable and the artists whose work was important to him in his formative years - Gainsborough, Wilson, Beaumont and Farington. This exhibition complements the 1991 Tate Gallery exhibition which omits Constable's early work.
The Gardens of the British Working Class
This magnificently illustrated people’s history celebrates the extraordinary feats of cultivation by the working class in Britain, even if the land they toiled, planted, and loved was not their own. Spanning more than four centuries, from the earliest records of the laboring classes in the country to today, Margaret Willes's research unearths lush gardens nurtured outside rough workers’ cottages and horticultural miracles performed in blackened yards, and reveals the ingenious, sometimes devious, methods employed by determined, obsessive, and eccentric workers to make their drab surroundings bloom. She also explores the stories of the great philanthropic industrialists who provided gardens for their workforces, the fashionable rich stealing the gardening ideas of the poor, alehouse syndicates and fierce rivalries between vegetable growers, flower-fanciers cultivating exotic blooms on their city windowsills, and the rich lore handed down from gardener to gardener through generations. This is a sumptuous record of the myriad ways in which the popular cultivation of plants, vegetables, and flowers has played—and continues to play—an integral role in everyday British life.
British and Irish Paintings in Public Collections
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
New Directions in Urban History
This volume introduces, through a series of freshly researched studies, new perspectives on the history of European urban culture from the eighteenth to the twentieth century. The approach is an international one, with essays on Austria-Hungary, France, Germany, Great Britain and Italy, and the authors drawn not only from Europe, but also the USA and Japan. The essays examine a range of specialist aspects of culture, such as gardening, spa towns, painting, and music. At the same time the contributors also explore jointly several broader interconnected themes - health, nature, the arts and cultural institutions, leisure, and tourism - of central importance to the cultural identity and development of the modern European town.
Imagining Early Modern London
The 120 years that separate the first publication of John Stow's famous Survey of London in 1598 from John Strype's enormous new edition of the same work in 1720 witnessed London's transformation into a sprawling augustan metropolis, very different from the compact medieval city so lovingly charted in the pages of Stow. Imagining Early Modern London takes Stow's classic account of the Elizabethan city as a starting point for an examination of how generations of very different Londoners - men and women, antiquaries, merchants, skilled craftsmen, labourers and beggars - experienced and understood the dramatically changing city. A series of interdisciplinary essays explore the ways in which Londoners interpreted and memorialized their past: how individuals located themselves mentally, socially and geographically within the city, and how far the capital's growth was believed to have a moral influence upon its inhabitants.
Edwardian London Through Japanese Eyes
The Japanese artist Yoshio Markino enjoyed a successful career in early twentieth century London as an artist and author. This book examines his uniquely Asian perspective on British society and culture at a time when Japan eagerly sought engagement with the West.
Modernist Afterlives in Irish Literature and Culture
Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement. The interdisciplinary collection reveals how Irish artists grapple with modernist legacies and forge new modes of expression for modern and contemporary culture.
The Culture of Building
The Culture of Building describes how the built world, including the vast number of buildings that are the settings for peoples everyday lives, is the product of building cultures--complex systems of people, relationships, building types, techniques, and habits in which design and building are anchored. These cultures include builders, bankers, architects, developers, clients, contractors, craftspeople, building inspectors, planners, and many others. The product of these cultures, which operate building after building, is the built world of cities and settlements. In this book, Howard Davis uses historical, contemporary, and cross-cultural examples to describe the nature and influence of the...
