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The relationship between humans and horses has played a vital role in shaping our towns and cities. This book offers a fascinating insight into the history of working horses in London.
The outstanding qualities of the Galloway horse landrace are referenced in literary sources from the late sixteenth century onwards. Brief, but eloquent and revealing allusions appear in the work of William Shakespeare, Thomas Dekker, Ben Jonson, and other writers with connections to the Tudor, Stuart, Caroline, and Carolean courts. The Galloway nag was sufficiently influential for its name to become a generic widely applied to small horses of a certain type: speedy, enduring, and reliable. This is still the case in the north of England and Australia, where the terms "Gallowa" and "Galloway" continue to be used today. The Galloway contributed to a surprising number of modern horse breeds, including the Thoroughbred, yet few people are aware of its influence. Miriam A. Bibby shows how and why its contribution has been overwritten by other narratives. In doing so, she also reveals previously unexplored sources that indicate the complex role played by the imagined Galloway in Anglo-Scottish relations. Collectively these represent a unique new genre of commentary that she identifies as "Galloway Nag Satire." This is the first major study devoted to the history of the Galloway horse.
Inspired by our age-old fascination with equids, Materiality of the Horse brings the latest academic research in equine history to a wider readership. Themes examined within the book by specialist contributors include explorations of material culture relating to horses and what this discloses about the horse-human relationship; fresh observations on significant medieval horse-related texts from Europe and the Islamic world; and revealing insights into the effect of the introduction of horses into indigenous cultures in South America. Thought-provoking and original, Materiality of the Horse is the second volume in Trivent Publishing's innovative "Rewriting Equestrian History" series.
The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how does one reconcile the very different roles played by the horse in human history?
This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.
Mummies; Egypt; study and teaching.
Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney....
This book demonstrates how horse breeding is entwined with human societies and identities. It explores issues of lineage, purity, and status by exploring interconnections between animals and humans. The quest for purity in equine breed reflects and evolves alongside human subjectivity shaped by categories of race, gender, class, region, and nation. Focusing on various horse breeds, from the Chincoteague Pony to Brazilian Crioulo and the Arabian horse, each chapter in this collection considers how human and animal identities are shaped by practices of breeding and categorizing domesticated animals. Bringing together different historical, geographical, and disciplinary perspectives, this book will appeal to academics, as well as undergraduate and postgraduate students, in the fields of human-animal studies, sociology, environmental studies, cultural studies, history, and literature.
Animal rights extremists argue that eating meat is murder and that pets are slaves. This compelling reappraisal of the human-animal bond, however, shows that domestication of animals is not an act of exploitation but a brilliantly successful evolutionary strategy that has benefited humans and animals alike.