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Articulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus
In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set)
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.
Word of God, Art of Man
Muslim reverence for the Qur'an as the Word of God has manifested itself in various artistic forms throughout history and up to the present day. This innovative collection of essays explores creative expressions of the Qur'an in a wide range of media. Contributors include museum curators and leading academics in art and architectural history, palaeography and material anthropology, and their studies span four continents and cover topics from medieval coins and early illuminated copies of the Qur'an to contemporary painting. They offer a multidisciplinary approach to the questions of how, why and in what contexts the Qur'an has inspired Muslim artists and craftspeople to adorn the spaces they inhabit and the objects they cherish with its verses. The volume includes 120 colour illustrations, some published for the first time, and an extensive bibliography.
The Door of the Caliph
This book focuses on the conceptualization of the court, palace and ruler of the Umayyad Caliphate of al-Andalus. Western terminology still plays a normative role in the representation of foreign courts, determining concepts that fit poorly into chronologies with their own dynamics and specificities, which is the case of Muslim courts. While Court Studies is a well-developed field for modern Western societies, Muslim medieval courts lack a consistent field of research. Sources elaborate a specific terminology for medieval Muslim court societies. In the specific case of the Umayyad Caliphate of al-Andalus, the court is usually articulated as Bāb Suddat al-Khalīfa (“The door of the Sudda o...
Marketing social y ética empresarial
El marketing social ó marketing interno; Marketing y sociedad de consumo: una perspectiva ética; Las incógnitas del tercer milenio; La apariencia humana de las empresas; La ética en el mundo laboral; Aplicación del marketing a las ONG; Plan integral logístico para ayudas humanitarias; La ética de los negocios y de la economía; Caso FUMESAL y su implicación en el marketing social; La ética y los escándalos empresariales.
Animism and the Question of Life
The central purpose of this book is to help change the terms of the debate on animism, a classic theme in anthropology. It combines some of the finest ethnographic material currently available (including firsthand research on the Chachi of Ecuador) with an unusually broad geographic scope (the Americas, Asia, and Africa). Edward B. Tylor originally defined animism as the first phase in the development of religion. The heyday of cultural evolutionism may be over, but his basic conception is commonly assumed to remain valid in at least one respect: there is still a broad consensus that everything is alive within animism, or at least that more things are alive than a modern scientific observer ...
Women's Rituals and Ceremonies in Shiite Iran and Muslim Communities
In this volume the authors present and discuss different aspects of their field researches and experiences in regard to the women's rituals and devotional practices. One of the main aims of this book is to broaden our understanding of women's devotional life, as well as calling attention to its relation to general social change. Most of the contributions are based on field researches, direct observations and rituals participations. This gives the reader a unique opportunity for better understanding of methodological challenges related to gender issues and field research among Muslim communities. --
Connected Stories
Concepts such as influence, imitation, emulation, transmission or plagiarism are transcendental to cultural history and the subject of universal debate. They are not mere labels imposed by modern historiography on ancient texts, nor are they the result of a later interpretation of ways of transmitting and teaching, but are concepts defined and discussed internally, within all cultures, since time immemorial, which have yielded very diverse results. In the case of culture, or better Arab-Islamic cultures, we could analyze and discuss endlessly numerous terms that refer to concepts related to the multiple ways of perceiving the Other, receiving his knowledge and producing new knowledge. The pu...
Aesthetic Hybridity in Mughal Painting, 1526–1658
The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the i...
The Visual Culture of al-Andalus in the Christian Kingdoms of Iberia
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
