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Daughters of the Diaspora
Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions. Miriam DeCosta-Willis's comprehensive Introduction, biographical sketches of the authors and their chronological arrangement within the text, provide an accessible history of the evolution of an Afra-Hispanic literary tradition in the Caribbean, Africa and Latin America. The book will be useful as textbook in courses in Africana Studies, Women's Studies, Caribbean, Latina and Latin American Studies as well as courses in literature and the humanities.
Blacks in Hispanic Literature
A landmark study in the field of Afro-Hispanism, Blacks in Hispanic Literature is a collection of fourteen essays by African and Diasporan scholars such as Carter G. Woodson, Martha Cobb, Adalberto Ortiz, and Lemuel Johnson, who examine the Black as author and subject in Spanish, Caribbean, and Latin American literatures.
Literary Spaces
This critical anthology explores the global literature of the African world as a unit whose chartable African heritage is coupled with the diversities and adaptations of post-enslavement and post-colonial experiences. The text has a seminal introduction that defines comparative black literature by examining how mainstream studies have marginalized literatures of Africa and the diaspora by not grouping them as a unit that reflects the historical continuum of the global African literary endeavor. The volume excerpts literature from vast representatives of the African world and introduces critical foundations that lead students to reflect on commonalities and divergences of global African literatures, as well as the more practical exercises of writing and analysis.
The Memphis Diary of Ida B. Wells
Published for the first time in its century, this "meticulously edited contribution to the study of American women's diaries and late-19th-century women's and black history" (Kirkus Reviews) offers an intimate look at the hopes, thoughts and day-to-day life of the young woman who would later become the celebrated civil rights activist and antilynching crusader.
Wild Women Don't Wear No Blues
14 African American women explore the Black female psyche in uncompromising terms.
Literary Passion, Ideological Commitment
This study examines Afro-Cuban and Afro-Brazilian women writers, as well as analysing the roles of women of African descent in Cuban and Brazilian literature. Initially, literary imagination locked women into circumscribed roles, a result of hierarchies embedded in slavery and colonialism, and sustained by hierarchical theories on race and gender.The discussion illustrates how these negative aspects have influenced the mainstream literary imagination that contrasts with the 'self-portrayals' created by women writers themselves. Even as there continues to be disadvantageous constructions, there is no doubt that a modification has occurred over time in images, representation, and articulation. It is a change directly associated with the instances when women themselves are the writers.The historiographic image of the Afro-Cuban and Afro-Brazilian woman as a written object is ideologically replaced by a vision of her as a writing subject. It is here that the vision of a creative, multifaceted, and diversified literature becomes important.
"They Say"
Between 1880 and 1930, Southern mobs hanged, burned, and otherwise tortured to death at least 3,300 African Americans. And yet the rest of the nation largely ignored the horror of lynching or took it for granted, until a young schoolteacher from Tennessee raised her voice. Her name was Ida B. Wells. In "They Say," historian James West Davidson recounts the first thirty years of this passionate woman's life--as well as the story of the great struggle over the meaning of race in post-emancipation America. Davidson captures the breathtaking, often chaotic changes that swept the South as Wells grew up in Holly Springs, Mississippi: the spread of education among the free blacks, the rise of polit...
Dark Eros
The overwhelming power of the erotic imagination is brought to full flower in this masterful collection of African-American writings. With pieces from more than seventy writers, Dark Eros explores the erotic possibilities as imagined and reported by authors both well-known and emerging. Using the literary to trace the range of the erotic impulse, this collection of writers and writings---poetry, fiction, and essays---covers the length and breadth of styles and emotions in contemporary African-American writing. As editor Reginald Martin notes, "The pieces collected in this volume throb with the tempo and tenor of writers who have defined the erotic verve of our urban times. Los Angeles, New York City, Miami, New Orleans-every place there is a bus line or dance club has produced African-American eroticism..." The result is a volume that is both compelling and necessary---an exploration of the African-American through the erotic.
Princess of the Press
A biography of the journalist, newspaper owner, and suffragette who campaigned for civil rights and founded the National Association for the Advancement of Colored People.
