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Daughters of the Diaspora
Daughters of the Diaspora features the creative writing of 20 Hispanophone women of African descent, as well as the interpretive essays of 15 literary critics. The collection is unique in its combination of genres, including poetry, short stories, essays, excerpts from novels and personal narratives, many of which are being translated into English for the first time. They address issues of ethnicity, sexuality, social class and self-representation and in so doing shape a revolutionary discourse that questions and subverts historical assumptions and literary conventions. Miriam DeCosta-Willis's comprehensive Introduction, biographical sketches of the authors and their chronological arrangement within the text, provide an accessible history of the evolution of an Afra-Hispanic literary tradition in the Caribbean, Africa and Latin America. The book will be useful as textbook in courses in Africana Studies, Women's Studies, Caribbean, Latina and Latin American Studies as well as courses in literature and the humanities.
The Memphis Diary of Ida B. Wells
Published for the first time in its century, this "meticulously edited contribution to the study of American women's diaries and late-19th-century women's and black history" (Kirkus Reviews) offers an intimate look at the hopes, thoughts and day-to-day life of the young woman who would later become the celebrated civil rights activist and antilynching crusader.
Literary Passion, Ideological Commitment
This study examines Afro-Cuban and Afro-Brazilian women writers, as well as analysing the roles of women of African descent in Cuban and Brazilian literature. Initially, literary imagination locked women into circumscribed roles, a result of hierarchies embedded in slavery and colonialism, and sustained by hierarchical theories on race and gender.The discussion illustrates how these negative aspects have influenced the mainstream literary imagination that contrasts with the 'self-portrayals' created by women writers themselves. Even as there continues to be disadvantageous constructions, there is no doubt that a modification has occurred over time in images, representation, and articulation. It is a change directly associated with the instances when women themselves are the writers.The historiographic image of the Afro-Cuban and Afro-Brazilian woman as a written object is ideologically replaced by a vision of her as a writing subject. It is here that the vision of a creative, multifaceted, and diversified literature becomes important.
Afro-Latin American Studies
Examines the full range of humanities and social science scholarship on people of African descent in Latin America.
Wild Women Don't Wear No Blues
14 African American women explore the Black female psyche in uncompromising terms.
"They Say"
Between 1880 and 1930, Southern mobs hanged, burned, and otherwise tortured to death at least 3,300 African Americans. And yet the rest of the nation largely ignored the horror of lynching or took it for granted, until a young schoolteacher from Tennessee raised her voice. Her name was Ida B. Wells. In "They Say," historian James West Davidson recounts the first thirty years of this passionate woman's life--as well as the story of the great struggle over the meaning of race in post-emancipation America. Davidson captures the breathtaking, often chaotic changes that swept the South as Wells grew up in Holly Springs, Mississippi: the spread of education among the free blacks, the rise of polit...
The Rise and Fall of the White Republic
In this acclaimed historical study, Alexander Saxton establishes the centrality of white racism to American politics and culture. Examining images of race at a popular level - from blackface minstrelsy to the construction of the Western hero, from grassroots political culture to dime novels - as well as the philosophical constructions of the political elite, it is a powerful and comprehensive account of the ideological forces at work in the formation of modern America.
Princess of the Press
A biography of the journalist, newspaper owner, and suffragette who campaigned for civil rights and founded the National Association for the Advancement of Colored People.
A Panther is a Black Cat
Portrays the formative years of the Black Panther Party. Reginald Major knew and worked with leaders of the Party prior to its organization. Captures events as the Panthers set the example for black resistance across the country.
