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George Hobson, Sr. (ca. 1677-1748), was born in England, and died in Frederick Co., Virginia. He was an apple farmer. George and his wife Elizabeth supposedly arrived in Philadelphia in 1697 from England. They had not been definitely located until 1732 when they are found in Orange Co., Va. (what is now Berkeley Co., West Virginia). Prior to Orange County they most likely lived in Chester Co., Pennsylvania. They had one son, George Hobson, Jr. (ca. 1716-1797), born in Chester Co., Pa. and died in Chatham Co., North Carolina. He married (1) Hannah Elizabeth Kinnison (ca. 1717-1761), daughter of Edward Kinnison and Mary Greenaway, in 1732 in Burlington Co., N.J. He married (2) Rebekah? ca. 1761. Fourteen children are recorded in this book, he supposedly had twenty. Descendants live in North Carolina, Missouri, Oklahoma, Oregon, Arkansas, Indiana, Pennsylvania, Texas, Utah, Kansas, California, North Dakota, Utah, Arizona and elsewhere.
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Latin American societies were created as pre-industrial colonies, that is, peoples whose cultures and racial makeup were largely determined by having been conquered by Spain or Portugal. In all these societies, a colonial heritage created political and social attitudes that were not conducive to the construction of democratic civil societies. And yet, Latin America has a public life--not merely governments, but citizens who are actively involved in trying to improve the lives and welfare of their populations. Monteon focuses on the relation of people's lifestyles to the evolving pattern of power relations in the region. Much more than a basic description of how people lived, this book melds ...
2023 Honorable Mention, Brazil Section Humanities Book Prize, Latin American Studies Association (LASA) This book explores visual portrayals of blackness in Brazil to reveal the integral role of visual culture in crafting race and nation across Latin America. In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro-Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion...