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Experimental Animation: From Analogue to Digital, focuses on both experimental animation’s deep roots in the twentieth century, and its current position in the twenty-first century media landscape. Each chapter incorporates a variety of theoretical lenses, including historical, materialist, phenomenological and scientific perspectives. Acknowledging that process is a fundamental operation underlining experimental practice, the book includes not only chapters by international academics, but also interviews with well-known experimental animation practitioners such as William Kentridge, Jodie Mack, Larry Cuba, Martha Colburn and Max Hattler. These interviews document both their creative process and thoughts about experimental animation’s ontology to give readers insight into contemporary practice. Global in its scope, the book features and discusses lesser known practitioners and unique case studies, offering both undergraduate and graduate students a collection of valuable contributions to film and animation studies.
The Colorado Women's Hall of Fame was founded in 1985, by a group of women who were concerned that both historic and contemporary women who shared foresight, vision, enthusiasm, and the power of accomplishment were not receiving appropriate acknowledgment. Fearful that splendid achievements would be forgotten, they wished to honor women who, during their lifetime, made a significant contribution to Colorado as a state or territory. It is the hope of the founders that by so honoring Colorado's women of consequence, their spirits might inspire future generations.In the first decade since the founding, fifty-nine women were selected for induction. Although historians habitually ignored the vita...
This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays were first presented in 2005 at an international conference.
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Menon introduces rhetoric into the largely medico-juridical realm of studies on Renaissance sexuality. In doing so, she suggests that rhetoric allows us to think through the erotics of language in ways that pay most attention to the frisson of English Renaissance drama.
In 1856, Miriam Colt, her husband, and her two small children set out for Kansas territory to make a new life. They were part of The Vegetarian Settlement Company, an organization formed to create a like-minded community committed to not eating meat and opposed to slavery. This was the time of Bleeding Kansas and they more than once met with "Border Ruffians," nearly at the cost of their lives. On the trip out: "The steamer struck a “snag” last night; gave us a terrible jar; tore off a part of the kitchen; ladies much frightened." This was only the beginning of the troubles they would experience like thousands of other pioneers. "Have ridden forty miles in a stage-coach, over very rough ...