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Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin, emphasizing their fluctuating identities, and showing how their art intertwined with the turbulent history of the region.
Focusing on 19th-and 20th-century European, American and Israeli artists, the contributors explore the ways in which Jewish artists have responded to their Jewishness and to the societies in which they lived (or live), and how these factors have influenced their art, their choice of subject matter, and presentation of their work.
Samuel Hirszenberg is an artist who deserves to be more widely known: his work intertwined modernism and Jewish themes, and he influenced later artists of Jewish origin. Born into a traditional Jewish family in Łódź in 1865, Hirszenberg gradually became attached to Polish culture and language as he pursued his artistic calling. Like Maurycy Gottlieb before him, he studied at the School of Art in Kraków, which was then headed by the master of Polish painting, Jan Matejko. His early interests were to persist with varying degrees of intensity throughout his life: his Polish surroundings, traditional east European Jews, historical themes, the Orient, and the nature of relationships between m...
This volume focuses on the migration and acculturation of images in Jewish culture and how that reflects intercultural exchange. Gender aspects of Jewish art are also highlighted, as is the role of images in interreligious encounters. Other topics covered include the history, codicology, and iconography of a Haggadah produced in the late fifteenth century.
Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. The book showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such, it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.
Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. The study of Jewish art frequently raises questions relating to Jewish survival and Jewish identity. These issues have always been of relevance throughout the Jewish diaspora, and as is evident from the articles in this volume they continue to concern Jewish artists to t...
Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology,and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel.
Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to visual arts and architecture from antiquity to the present in a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such, it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. (Series: Ars Judaica)
Samuel Hirszenberg is an artist who deserves to be more widely known: his work intertwined modernism and Jewish themes, and he influenced later artists of Jewish origin. Born into a traditional Jewish family in Łódź in 1865, Hirszenberg gradually became attached to Polish culture and language as he pursued his artistic calling. Like Maurycy Gottlieb before him, he studied at the School of Art in Kraków, which was then headed by the master of Polish painting, Jan Matejko. His early interests were to persist with varying degrees of intensity throughout his life: his Polish surroundings, traditional east European Jews, historical themes, the Orient, and the nature of relationships between m...
Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to visual arts and architecture from antiquity to the present in a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such, it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. (Series: Ars Judaica)