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Schutz und Freiheit?
Die Staatsbürgerschaft war im 20. Jahrhundert das Signum politischer Zugehörigkeit in Europa. Sie entschied über Schutz und Freiheit eines Menschen und damit über seine Lebens- wie Überlebenschancen. Erzählt wird hier erstmals eine gemeinsame Geschichte der Staatsbürgerschaft in West- und Osteuropa von der Hochphase des Nationalstaats bis in unsere Gegenwart, die von den Krisen der europäischen Union geprägt ist. Es ist die Geschichte einer zentralen rechtlichen Institution, die Kämpfe um Migration, Integration und Zugehörigkeit maßgeblich repräsentiert und zugleich bestimmt. Welche Lehren aus ihr mit Blick auf die Zukunftschancen einer europäischen Staatsbürgerschaft zu ziehen sind, ist eines der Themen dieses Buches.
Chronic and Recurrent Pain
This book is a printed edition of the Special Issue "Chronic and Recurrent Pain" that was published in Children
υδρόβια ζώα και φυτά
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Microwave Absorbing Materials
With the phenomenal development of electromagnetic wave communication devices and stealth technology, electromagnetic wave absorbing materials have been attracting attention as antielectromagnetic interference slabs, stealth materials, self-concealing technology, and microwave darkrooms. This book starts with the fundamental theory of electromagnetic wave absorption in loss medium space, followed by a discussion of different microwave absorbents, such as manganese dioxide, iron-based composite powder, conductive polyaniline, barium titanate powder, and manganese nitride. Then, structural absorbing materials are explored, including multilayer materials, new discrete absorbers, microwave absor...
Anne Collier: Women with Cameras (Self Portrait)
This book collects images that New York-based artist Anne Collier (born 1970) originally presented as a slideshow of 80 35mm slides depicting found images of female subjects in the act of taking self-portraits. Dating from the 1970s to the early 2000s, these relics of the pre-digital age were collected by Collier, each image discarded by its original owner but finding its way back to relevance in Collier's work. The slideshow consists of amateur snapshots of women photographing themselves with film cameras prior to the advent of the digital "selfie." Instead of circulating on social media, these abandoned images once existed for a private audience. The resulting work is steeped in a deep sense of loneliness, illustrating photography's contentious relationship to memory, loss and self-representation. The book represents a kind of sequel to Collier's 2017 book Women with Cameras (Anonymous).
