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Kurlumarniny
.".. the story of Minyjun (Monty Hale), a senior Ngulipartu man from the Pilbara region of Western Australia."--Back cover.
Saturday Comes
Co-narrated by the Baron Samedi, Vodou Spirit of Death, Saturday Comes is an atmospheric tale of love and hate; of Haiti's long-smoldering societal and class issues; of the magic, which reigns over the everyday lives of Haitian natives, and of the unseen forces that draw human beings together. It is a cold, wet, living nightmare when 12-year-old Maya St. Fleur finds herself on a makeshift boat bulging with other Haitians fleeing their island for a better life in the States. The sordid degradation and horror of that trip will mark her for life. The name of the one who has coerced her to leave the country and family she loves is Henri Chenet-perpetrator of unspeakable acts against her mother; blackmailer; and father of the boy who makes her heart beat with young love. Consumed with a desire for vengeance, she nevertheless vows to, one day, kill the son he cherishes above all else. Years later, she reconnects with her childhood love in Miami, and they fall for each other all over again. Will she be able to follow through with her dark, murderous plan hatched so long ago?a
Sculpture and the Vitrine
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with s...
The Grammar Dimension in Instructed Second Language Learning
One of the key issues in second language learning and teaching concerns the role and practice of grammar instruction. Does it make a difference? How do we teach grammar in the language classroom? Is there an effective technique to teach grammar that is better than others? While some linguists address these questions to develop a better understanding of how people acquire a grammar, language acquisition scholars are in search of the most effective way to approach the teaching of grammar in the language classroom. The individual chapters in this volume will explore a variety of approaches to grammar teaching and offer a list of principles and guidelines that those involved in language acquisition should consider to design and implement effective grammar tasks during their teaching. It proposes that the key issue is not whether or not we should teach grammar but how we incorporate a teaching grammar component in our communicative language teaching practices.
Echoes in the Darkness
In the Greek port of Piraeus, there is a small tramp steamer moored at the dock. The Ionion's cargo decks are laden with the works of the Italian artist Jannis Kounellis, born in Piraeus in 1936. The ship, and its manifest, are a metaphor for the high priest of Arte Povera, the art movement founded in Italy in the late 1960s.
Global Revolutionary Aesthetics and Politics after Paris ‘68
The year 2018 marked the fiftieth anniversary of May ’68, a startling, by now almost mythic event which combined seriousness, courage, humor and theatrics. The contributions of this volume—based on papers presented the conference Does “la lutte continue”? The Global Afterlife of May ’68 at Florida State University in March 2019—explore the ramifications of that springtime protest in the contemporary world. What has widely become known as the movement of ‘68 consisted, in fact, of many synchronous movements in different nations that promoted a great variety of political, social, and cultural agendas. While it is impossible to write a global history of ’68, this volume presents...
The Herem Saga #4 (Diary of an Immortal)
Milky Way, thirteenth millennium of the stellar age. Human beings have long since left the surface of the Mother Planet, Earth, and so much time has passed they barely remember it. They have established themselves as the predominant form of life among the stars and all the while they expand, colonize and multiply undisturbed. At times they are at peace, other times they quarrel with one another in an endless strife of meaningless skirmishes. But one day the balance is broken. A terrible alien race, relentless and apparently unstoppable, now threatens to upset this delicate order and wash away over twelve millennia of progress and expansion. People in the Milky Way call them Herem, the Anathem… BOOK FOUR: DIARY OF AN IMMORTAL Captain Aaron Quietsea is ready to leave Earth. His mission: to embark on one of the very first interstellar travels in the history of mankind. He has no certainties, many doubts, and one great responsibility: to establish and lead one of the first human colonies in the galaxy…
Digging Up Momma
The letter that arrived from Sam’s mother was postmarked Santa Fe, penned in her mother’s handwriting, and disclosed details only Johanna Adams could know. There was just one catch: Johanna Adams had been dead for thirty-four years. The mind-blowing missive could have been an entry from Sam’s latest book of bizarre anecdotes, American Weird—or an elaborate hoax. Either way, it instantly rekindled Sam’s impossible wish that her mother hadn’t really died in a plane crash when Sam was a child. Fueled by her journalistic instincts—and a daughter’s need for closure—Sam touches down among Santa Fe’s tourists and crystal gazers, jewelry shops and fast-food stands. But only when she summons the courage to knock on the door of Room 409 at the La Fonda Hotel does her surreal, mother-seeking adventure take off with no turning back.
Douglas Gordon
At the Mart in Rovereto Douglas Gordon is holding his first solo exhibition organised by an Italian museum, presenting a selection of video installations and a large textual work specifically created for this occasion.
