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Hadfish Systems in London are technological experts - but are they prepared to be caught up in a deadly game of international intelligence? Julian and his business partner, Rami, run Hadfish Systems, a successful software development company. When Rami is offered the chance of a lucrative new contract, he doesn’t seem too fussed about where the money is coming from or for what purposes the software might be used. Julian, though, has concerns, made all the more relevant by some secrets he’s been hiding, even from the people closest to him. When an old acquaintance of Julian’s reappears unexpectedly, full of promises and threats, Julian wonders whether this contract is really so lucrative after all, or whether it’s simply a chance to save his own life. Caught between warring nations and competing interests, old secrets and new loyalties, Julian is trapped in a deadly game ...
Winner of the Commonwealth Writers' Prize for Best First Book for Europe and South Asia. "A stunning, defiant debut."— Guardian "Hiller brings to his works not only a craftsman's skill but also a compassion for his characters that proves infectious."— Haaretz "A chilling rites-of-passage novel set in Beirut in 1982 during the killings in the camps."— The Economist It is the summer of 1982 and Beirut is under siege. Eighteen-year-old Ivan's parents have just been evacuated from the city with other members of the Palestine Liberation Organization. Ivan stays on, interpreting for international medical volunteers in Sabra refugee camp and working undercover for the PLO. Hoping to get close...
An internationally acclaimed thriller of love, espionage and subterfuge, in which Middle East meets West with dangerous consequences. Years of training have transformed Michel Khoury into a skilled intelligence operative. A refugee whose family was murdered by extremists, he has one mission: the peaceful resolution of the Middle East conflict that upended his life. An alluring enigma, he attracts the attention of Helen, a pretty English girl who lives in the adjacent apartment. As their relationship develops, Michel is unable to tell Helen about his past -- or the collection of passports and unmarked bills he's concealed in the bathroom they share. When Michel's secrets turn deadly, Helen an...
This transnational collection of essays, interviews, and creative pieces on the 1982 Siege of Beirut explores literary representations of the siege by a diverse set of writers alongside journalism and other media including film and art. The book investigates and promotes an awareness of an ethics of representation on questions of extreme emotional investment, comparing representations of the siege to representations of other traumatic events, visiting responses from those of different cultural backgrounds to the same event and considering implications with respect to comparative approaches. Chapters explore how literature, journalism and art contribute to overcoming the dangers of forgetting...
Isabelle Hesse identifies an important relational turn in British and German literature, TV drama, and film published and produced since the First Palestinian Intifada (1987-1993). This turn manifests itself on two levels: one, in representing Israeli and Palestinian histories and narratives as connected rather than separate, and two, by emphasising the links between the current situation in Israel and the Occupied Palestinian Territories and the roles that the United Kingdom and Germany have played historically, and continue to play, in the region. This relational turn constitutes a significant shift in representations of Israel and Palestine in British and German culture as these depiction...
Post-Millennial Palestine: Literature, Memory, Resistance confronts how Palestinians have recently felt obliged to re-think memory and resistance in response to dynamic political and regional changes in the twenty-first century, and asks: in what ways do contemporary Palestinian writers critically and creatively consider the possible future(s) of their nation?
Under the crushing weight of the siege of Gaza, Laila and Nasser are members of the Palestinian resistance fighting desperately to free their people. Together, they learn of a plan to unite the disparate Palestinian factions and break Israel’s siege. Unknown to them, Ari, a brilliant Israeli spy, has decided that his conscience can no longer allow him to participate in the starvation of Gaza. A double agent whose every move is under mounting suspicion, Ari reaches out to the American contractors who trained him with a secret plan. As they all struggle to break the siege, they face the wrath of the Israeli military machine.
This book examines the phenomenon of the post-civil war Anglophone Lebanese fictional narrative.
This book seeks to both showcase and further develop innovative research and debates on contemporary Arab cultural production. Popular culture in the form of cinema, popular music, literature, visual media and cyber-cultures, both local and imported, enjoy a central role in Arab cultural life, and the contributors to this innovative collection showcase the tremendous cultural output emerging from the Arab world. They present sensitive, conceptual readings whilst remaining mindful of the place of this work within a wider framework that seeks to prevent isolationist readings of cultural phenomena. Making sense of the place of culture in the Arab world, and agreeing upon a broadly recognisable and commonly accepted set of terms within which to discuss this output, is a new and urgent challenge. Arab Cultural Studies aspires to understand, communicate and theorise these forms. This book was originally published as a special issue of the Journal for Cultural Research.
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