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In this, the first collection of ecocritical essays devoted to Australian contexts and their writers, Australian and USA scholars (settlers, invaders, temporary visa holders) comment on the transliteration of sea, land and interior through the works of major and minor authors and through their own experience with the bioregion. The littoral zone is the starting point in this fresh approach to reading literature and is organised around the natural environment - rainforest, desert, mountains, coast, islands, Antarctica. There's the beach where sexual and spiritual crises occur; the Wheatbelt area - the most visible clearance line on the planet; desert literature, camel trekking, and the transf...
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The supposed extinction of the Indigenous Beothuk people of Newfoundland in the first half of the nineteenth century is a foundational moment in Canadian history. In Tracing Ochre, Fiona Polack and a diverse group of contributors interrogate and expand upon changing perceptions of the Beothuk.
This Companion addresses an exciting emerging field of literary scholarship that charts the intersections of postcolonial studies and travel writing.
Eleanor Dark (1901–85) is one of Australia’s most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark’s contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976. Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark’s writing to b...